Beautifully crafted and perfectly proportioned, this side chair is decorated with a restrained design of inlaid blossoms. The cherrywood frame was ebonized to resemble Japanese lacquer. In contrast to the flamboyance found in much 19th-century design, Japanese-inspired furniture was distinctive for its elegant simplicity. Influenced by Japanese ornament, the Herter Brothers company began producing its own interpretations in the early 1870s. German-born immigrants Gustave and Christian Herter were preeminent among the designers and cabinetmakers who helped nouveau-riche Americans outfit grand residences. The half brothers designed furniture and interiors for the sumptuous homes of Gilded Age clients such as Jay Gould, J. Pierpont Morgan, and William H. Vanderbilt.
Cataloguing data may change with further research.
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Herter Brothers, American, active 1865–1910
- c. 1877–1878
- Ebonized cherry, maple, satinwood, and gilt; upholstery not original
- 37 3/8 × 17 × 18 1/4 in. (94.9 × 43.2 × 46.4 cm)
- Credit Line
Museum purchase funded by the Arch and Stella Rowan Foundation, Inc.
- Current Location
The Audrey Jones Beck Building
108 HEVRDEJS GALLERY
- Accession Number
[Margot Johnson Gallery, New York]; purchased by MFAH, 1993.