Back to search results
Nick Cave studied both fine arts and dance before he graduated with an M.F.A. from Cranbrook Academy in 1989. He created his first Soundsuit out of twigs in 1992 in the wake of the Rodney King riots; at a moment when Americans across the country were debating issues of race and identity, Cave discovered that the masquerade offered by a suit that covered his body and face offered a new freedom. "When I was inside a suit," Cave later stated, "you couldn't tell if I was a woman or man; if I was black, red, green or orange; from Haiti or South Africa. I was no longer Nick. I was a shaman of sorts." In subsequent Soundsuits, Cave explored a wide variety of materials. Here the Soundsuit is pieced together from braided rugs, gathered from thrift stores in Chicago’s South Loop, and the mannequin’s legs are clad in crocheted stockings. The circular patterns of the rugs give the appearance of eyes, mouths, and other orifices. At the same time, the found materials harken back to quilting and needlework traditions rooted in Africa and Europe, traditions which still flourish across America today.
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Nick Cave, American, born 1959
- Found rugs and mixed media
- 102 × 40 × 23 in. (259.1 × 101.6 × 58.4 cm)
- Credit Line
Museum purchase funded by Barbara and Michael Gamson in memory of Peter C. Marzio
- Current Location
The Caroline Wiess Law Building
A.P. BROWN GALLERY
- Accession Number
The artist; [Jack Shainman Gallery, New York]; purchased by MFAH, 2011.