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  1. If “The Yellow Scale” were a drink ...

    May 11, 2020 - So I went with gin and its complexities with botanicals. Then I thought ginger, lemon, lime, mango ... And so “Fugue in Yellow” was born. Here’s how you make it. First I thought “tropical,” and then: “What would make this artist peel himself away from his book to enjoy his cigarette with a drink?” He’s in a heightened state of yellow—bright, sunny, happy—but Kupka’s face almost says, “I am annoyed you bothered me.” Well, let’s fix that with a drink.

  2. Gardening with the MFAH

    Mar 24, 2020 - Mainly, because I see it weekly. I don’t go inside too often. Explore the gardens at Rienzi and Bayou Bend. I love camellias, azaleas, and magnolias in the spring. I love the smell of the Osmanthus in the fall and again in the spring. I love seeing the forgotten bloom of the spider lily. Each is unique and each is beautiful. I don’t believe the bees and butterflies we have are starving. I believe we just need more plants to help increase the numbers. Also, we need to stop spraying insecticide.

  3. “Be Natural” Sheds Light on Women in Film

    Apr 1, 2019 - I knew I had to help.”  “I can’t recall how the campaign for Be Natural got on my radar, but when I saw the pitch video, I was shocked,” Mower says. A Legacy Uncovered I had the privilege of seeing Be Natural at the Cannes Film Festival last May along with Houston filmmaker Michelle Mower, who has made several independent features.

  4. The Kodak Snapshot: A Conversation with MFAH Curator Anne Tucker (part 2 of 3)

    Apr 3, 2012 - I knew the old man, I had talked to him, I was quite fascinated by him. And I had photographed him myself. My photograph is not Robert Frank’s photograph. "When I first came into photography, the first time I saw work by Robert Frank, who is a major artist in our collection, I was stunned to see he had photographed a man I knew in my childhood: an elderly black man positioned by In the wake of the Eastman Kodak Co. filing for bankruptcy, I sat down for a chat with Anne Wilkes Tucker, the Gus and Lyndall Wortham Curator of Photography at the MFAH. 

  5. When a House Is More than a Home: Installations by Daniel Joseph Martinez

    Dec 15, 2017 - Daniel Joseph Martinez, the west bank is missing: i am not dead, am i, 2008, clear vacuform and aluminum, courtesy of the artist and Roberts & Tilton. © Daniel Joseph Martinez the west bank is missing: i am not dead, am I opens HOME—So Different, So Appealing is bookended by two installations by Daniel Joseph Martinez, both architectural and monumental: The wheels of the west bank is missing: i am not dead, am I are each 15 feet in diameter, and The

  6. Frequently Asked Questions: Images

    I am a scholar and want to use an image in a publication. What do I do? Please contact rights@mfah.org to request permission to reproduce our images in scholarly materials.  Can I publish a picture that I took at the MFAH or scanned from a book? The MFAH does not authorize the reproduction of images other than those provided by the MFAH. How do I order a poster or print of an MFAH image? Please contact 1000Museums to order print-on-demand posters and prints of works in the MFAH collection.  

  7. Beauty, Hope & Short Films: An Interview with Filmmakers Brian Ellison & Emmanuel Osei-Kuffour, Jr.

    Jul 6, 2018 - I experienced a lot of ignorance from people because I was darker. For the film, I was thinking about the idea of not being seen for who you think you are. BE: When I saw Dominique Elam, who plays the protagonist in A Day in the Tr3, I knew that he was the one. He is a very eclectic, interesting person. He was not necessarily playing a role—he could just play himself. I chatted with each of them, and excerpts of our conversations follow below. You can read the full interviews here.

  8. William Forsythe Inspires Movement with “Choreographic Objects”

    Jul 2, 2019 - “I immediately wanted to be all up in that,” Jones said. “I wanted to be around it, in it, under it, suspended in it. I wanted to improvise, I wanted to react to it and react because of it.” “I think they were surprised to see that Mr. Forsythe’s reach goes far beyond his role as a choreographer in a literal sense,” Jones said. “Although I have never worked with Forsythe, my impression of him as a choreographer is that he’s a risk taker,” said their instructor, Courtney Jones.

  9. “Staff Art Show” Spotlights Talent across the MFAH

    Feb 22, 2019 - Then, at the last minute, I added the two moons, because there’s something romantic and whimsical about the moon. . © Monica Cuellar Monica Cuellar Security Console Monitor “I wanted to make some type of abstract landscape with a lake. I thought of reflections on a water’s surface, as well as the reflection of one’s self and the state of one’s mind both above and underneath the surface.”

  10. Virtual Cinema: A Summer in “Cane River”

    Jul 19, 2020 - Sacha Jenkins I went down to New Orleans to stay with my dad, Horace Byrd Jenkins III, one summer. I was 10 years old. My dad was filming Cane River—his first and only narrative feature—when I was visiting. I remember eating juicy burgers at the Blue Plate. The jukebox would always play “House of the Rising Sun” by the Animals, which I thought was cool because it name-checked New Orleans and I was right there!