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  1. Women Talking

    Order Tickets on Houston Cinema Arts Festival Website Reeling from multiple counts of sexual abuse, newly uncovered within their Mennonite colony, a group of women gather in a hayloft to discuss how to respond. Some are willing to take any measures to escape the terror of their domestic lives and insist that “the truth is stronger than the rules.” Visiting Guidelines Masks are recommended in Museum auditoriums. While the men are away, the women narrow their options down to three: do nothing, stay and fight, or leave.

  2. Virtual Lecture | Artist Aaron McIntosh

    In this virtual visit to the MFAH, McIntosh discusses the history and personal memories that inspire his quilts, such as Freshman Magazine, August 2002 Issue (Broken Links), which is part of the Collectivity installation on the Watch the Video About the ArtistQuilt maker Aaron McIntosh, a cross-disciplinary artist who grew up in rural Tennessee, reaches across generations with his work, mining the intersections of material culture, family tradition, sexual

  3. “Mending: Craft and Community—Selections from the Museum’s Collection”

    Dec 3, 2018 - Craft and Community examines both formal and metaphorical examples of mending created in the past four decades, revealing techniques and personal stories in works that weave together dominant narratives of race, gender, and sexual The international and U.S. artists included in the exhibition range from masters in the field of studio craft such as Therman Statom and Léopold Foulem to a younger generation including Jennifer Ling Datchuk and Aaron McIntosh

  4. In Appreciation: Gifts in Honor of Anne Wilkes Tucker

    Hired in 1976 to establish a department of photography at the MFAH, Tucker arrived to a collection of only 141 images. Her passion led to path-breaking exhibitions and publications that made the MFAH a leader in the field. Among the highlights are Richard Avedon’s 1955 Dovima with Elephants; Nan Goldin’s multimedia Ballad of Sexual Dependency from the 1980s; a unique Man Ray photomontage from about 1926; a photograph by the medium’s inventor, William Collectors, artists, and gallerists from around the country are donating more than 150 works to the Museum in honor of Anne Wilkes Tucker’s 39-year tenure as curator of photography.

  5. The Draughtsman’s Contract

    While her husband is away, an aristocratic wife commissions a young draughtsman to sketch her husband’s estate—in exchange for a fee, room and board, and one sexual favor for each of the 12 drawings. Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here. A sensuously charged brainteaser, The Draughtsman’s Contract catapulted director Peter Greenaway to the forefront of international art cinema. Visiting Guidelines Masks are recommended in Museum auditoriums.

  6. David Levinthal: Photographs 1972–2016

    Through the iconography of mass-produced toys, dolls, and figurines, Levinthal’s photographs have probed the myth of the American West; World War II and the Holocaust; romantic and sexual desire; racial stereotyping; the heroism New York–based photographer David Levinthal uses staged photographs of toys and other everyday objects to bring viewers face-to-face with themes central to American history, identity, and consciousness. The images range from intimately scaled prints, to large 20-by-24-inch Polaroids, to monumental inkjet prints.

  7. La Piscine (The Swimming Pool)

    A paragon of 1960s modernist cool thanks to effortlessly chic clothes and a loungy Michel Legrand score, La Piscine (The Swimming Pool) dives deep to reveal sinister undercurrents roiling beneath its seductive surfaces.” chemistry as the bronzed and beautiful vacationers whose summer holiday on the Côte d’Azur is interrupted by the arrival of an old acquaintance (Maurice Ronet) and 18-year-old daughter (Jane Birkin)—unleashing a gathering wave of sexual —Criterion Collection Visiting Guidelines Masks are required to be worn during films and programs inside Museum auditoriums. Capacities are limited, and advance tickets are recommended.

  8. A Legacy from Gee’s Bend: Lutisha Pettway’s “Bars” Quilt

    Feb 8, 2019 - From maker magazines to crayons in waiting rooms, the act of making has been popularized for its therapeutic qualities. Over the past four decades, the artists represented in the exhibition have woven together narratives of identity—race, gender, and sexual orientation—in objects made of clay, cotton, wire, and other plainspoken materials. I had to make quilts for them, and all my quilts was scrapped up out of old clothes back then. Later on, when I was a good bit older, I bought cloth from the store sometime. I did my work by my own hand, by myself.”

  9. Reimagining Rockwell

    Nov 20, 2019 - Each image comprises activists, artists, celebrities, and everyday citizens of varying religions, races, sexual orientations, ages, and genders. “Most of all, I hope people are inspired and activated to love, be patient, and to take a deeper look at themselves and see where they fit within the deeper mosaic of America. “People responded to his art because they saw the best of themselves in it.”

  10. Weekend getaway to France: Bertrand Blier directs Gérard Depardieu

    Oct 21, 2012 - "It’s one of the funniest films, a great buddy movie, a story of sexual awakening, and utterly amoral. It introduced Gérard Depardieu, Isabelle Huppert, Patrick Dewaere, and Miou-Miou to the world. "Come to see Les valseuses on the big screen and, most important, to share the mirth with an audience. I’ve only seen it once in a cinema, and that [experience] cannot be duplicated. To kick off the series, MFAH film committee co-chair Michael Zilkha introduces the opening night film, Les valseuses (Going Places).