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New Documentary “Film About a Father Who” Explores Intriguing Family Dynamics

Mar 3, 2021 - I have had so many conversations with people who told me that their experience of watching my film gave them insight into their own thinking about the imprint of our parents on all of us as children.” I asked Lynne about the feedback she has gotten from audiences. “After watching my film, a man exactly my age wrote to me from Oklahoma to say that he wanted to share the story of his relationship with his mother, and his discovery of adult siblings he had never known.

Every Dot Knows Where It Is: A Chat with Pipilotti Rist

Jun 26, 2017 - The video is two screens, and for me, Pixel Forest is a screen, too—an abstract, exploded screen. I read your quote “I am interested in the combination of nature and technology; these are not two different things,” and I really liked that idea. How do nature and technology meld in this exhibition? Compared to other artists, I work very collaboratively.

For the Love of Art

Apr 24, 2012 - I had the privilege of seeing him create the work, so it is especially meaningful to me. SC: I was looking for a permanent volunteer position, as there were fewer opportunities for me to help in my children's classrooms as they got older. Coming to live in Houston, I began researching ways to be connected to the MFAH, and I learned about the docent program.

Close-Up on “Black Art in Houston”

Aug 4, 2020 - As a child, I was shaped by the traditions of the Black community, which were part of my daily life. As an adolescent, I had the benefit of excellent Black teachers who encouraged me and my classmates to realize our dreams. I was born in Atlanta and lived directly across the street from the Atlanta University Center until my family moved to Houston. I literally grew up on HBCU campuses. I am a daughter of the South. My mother and father were born in Birmingham and Atlanta, respectively.

Get to Know the “Bhogi Yogi” & Join Us on Sundays for “MFAH on the Mat”

Apr 15, 2020 - I examined my practice, my intentions, and my actions, and that led me to choose being recognized as the “Bhogi Yogi.” The terms Yogi, Bhogi, and Rogi come from the words Yoga, Bhoga, and Roga. I normally assess myself in the morning and take it from there, so the type of yoga I practice changes depending on how my mind and body feel that day. I meet in the middle of both. Want to see more? I love visiting my friends at Empower Fitness Lab, where I cycle. How would you describe your personal yoga style? Mindful.

The Story of Azaleas at Bayou Bend

Aug 29, 2016 - Many are no longer available from retail nurseries, so I had search for examples in private and public gardens. Quite a detective hunt! Give me a few examples of the harder azaleas to find. He filled me in on the backstory and shared an exciting 50th-anniversary announcement about Bayou Bend’s azaleas. I am pleased to report that this year I completed the search, and Miss Hogg’s azalea collection is now fully restored at Bayou Bend.

A Force of Color: Painting-in-Action with GONZO247

May 13, 2020 - I was never taken to museums or galleries. The only art I had access to was on the street, when I was a captive audience in the back seat of my parents’ car. That mural inspired me and other kids to become artists. I grew up in Eastwood, a neighborhood in Houston’s East End. When I became more established as an artist, I crossed paths with the Eastwood Academy to do art projects with the students. I used this inspiration, tied it to what I do, and translated to Plexiglas. Why is a live demonstration important to you? I think the real art is the process. What you end up with is residual to the energy and work.

Home Is an Intimate Space: Amalia Mesa-Bains & “Transparent Migrations”

Dec 1, 2017 - Of course, Houston is a major venue for art, but it’s also important to me that it’s a city with a large Latino population. I felt from the very beginning, when I learned of this exhibition, that this was a place for my work, because I had a long history of this theme. What is significant about having your work on view in Houston? I talked with Mesa-Bains about the installation. What do you hope visitors take away from Transparent Migrations? I think it’s a work that invites contemplation.

Meet the Chef: Marlies Wasterval

May 26, 2016 - I think the most appealing change is having running specials. The regular menu is great, but it’s also a lot of fun for me—and the customers too, I think—to try something new every week. Also, I love the brunch. I personally am not a brunch eater, but I love to serve it! What’s your favorite part about working at an art museum? When I was growing up, my dad lived just down the street from where I work now—so when we came to his house, we spent a lot of time in museums, including the MFAH. I find a lot of comfort in this little corner of town.

Bayou Bend at 50: A Longtime Docent Tells Her Story

Mar 3, 2016 - I saw her at the Museum one day and casually said, “Bayou Bend sounds interesting, it might be something fun to do.” Soon after, she called and asked me to interview. I was very nervous with her listening to me! Miss Hogg moved out of the house in 1965 but did not pass away until 1975. Did she come back from time to time? Oh yes, she sometimes came by when we were giving tours. I do not remember anything about the interview except the first thing I said was, “Oh, you are so young!” and then I thought to myself, “Well, that was not the right thing to say!”