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  1. A Second Look

    This series offers another opportunity to see acclaimed films that played briefly in Houston earlier this year. …

  2. A Boy and His Dog

    The world is still recovering from a worldwide catastrophe, watching films outside, with women’s rights under siege and leaders that are totalitarian weirdos. Oh, and dogs are telepathic. And if neither of those applies to you, then you are actually in the world of A Boy and His Dog, L.Q. Jones’s influential film from 1975, brought to you on an original 35mm print from the 1975 theatrical run.

  3. FotoFest | Wendel A. White on “Difficult Histories”

    Wendel A. March 28, 2024Join photographer Wendel A. White as he presents a lecture Red Summer: Landscape and Archive in African American Historical Memory, which is based upon his FotoFest Participating Spaces Exhibition Wendel A. Seating is available on a first-come, first-served basis.  Parking Information | Museum Hours | MFAH Campus Map

  4. Martha Liebermann: A Stolen Life (Martha Liebermann – Ein gestohlenes Leben)

    As a German Jew in 1943, however, her only choice is to go abroad or wait to be deported to a concentration camp. Martha’s friends pressure her into an illegal sale to finance her escape with a resistance group. But the Gestapo sees an opportunity to set a trap for the courageous opponents of the regime.

  5. A Letter to Three Wives

    Three women receive a letter from their “best friend” announcing that she is running away with one of their husbands—but she does not say which one.

  6. Sun Ra: A Joyful Noise

    Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here. Sun Ra: A Joyful Noise Directed by Robert Mugge (USA, 1980, digital) Introduced by musician Damon Choice This documentary portrait of mythic free-jazz innovator Sun Ra (1914–1993) captures performances by Ra and his Arkestra in Sun Ra: A Joyful Noise intercuts the musical interludes with footage of band members at their shared house in Philadelphia’s Germantown neighborhood and Ra relaying his poetic proclamations about vibrations, myth, and mystery

  7. Sally Mann: A Thousand Crossings

    Sally Mann: A Thousand Crossings is the first major retrospective of the celebrated artist’s career. Featuring over 120 images organized into five sections—family, landscape, battlefields, legacy, mortality—A Thousand Crossings shows how the American South emerges within Mann’s work as a powerful and provocative force that continues This internationally traveling exhibition investigates how Mann’s relationship with her native Virginia, a place rich in literary and artistic traditions yet troubled by history, has shaped her work.

  8. When a House Is More than a Home: Installations by Daniel Joseph Martinez

    Dec 15, 2017 - Each of the enigmatic, towering wheels features 11 sides imprinted with the shapes of real homes drawn from a 1940s architectural experiment to create planned housing in Irvine, California. The housing plans later had a second life outside of the United States—in the disputed West Bank settlements. Martinez describes the wheels as “essentially machines that make settlements.” . © Daniel Joseph Martinez In the final gallery of HOME—So Different, So Appealing, The House America Built also addresses how a seemingly innocuous American ideal can have unintended implications.

  9. A “Cloud Column” Anniversary

    Mar 27, 2020 - Two years ago today, a team of engineers and MFAH art handlers gently settled Houston’s now-iconic Cloud Column into place—all 21,000 pounds of it. Watch and listen as artist Anish Kapoor’s project manager describes how the monumental sculpture completed its journey, which started with an Atlantic crossing from England; continued with careful transport by truck in a custom-made

  10. 3 Questions for Artist Dario Robleto

    Aug 12, 2019 - Discussing how a DJ puts together a playlist, you said, “A sampler is not just to make music with but a way to understand the world, a way to creatively filter and reconfigure it.” How does this apply to your work? I am particular in the materials I use because I am counting on the meaning embedded in a material in one state (a vinyl record, a love letter, a fossil, etc.) to be entirely transported into a new physical state (the sculpture With deejaying and sampling, there is a subversive element that nothing is ever trash or the final say on a matter but rather calls that attitude out as a failure of the creative imagination.