For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979 March 7–July 12, 2015

Toshio Matsumoto, For the Damaged Right Eye, 1968, film still from triple 16mm (transferred to DVD), collection of the artist. © Toshio Matsumoto / Photo: PJMIA
Nobuo Yamanaka, Pinhole Room Revolution 1, 1973, gelatin silver prints, the National Museum of Modern Art, Tokyo.
Shigeo Gochō, from Self and Others, 1975–77, gelatin silver print, printed 1992, the Museum of Fine Arts, Houston, Museum purchase funded by the Meyer Levy Charitable Foundation. © Hiroichi Gochō
Shigeo Gochō, from Familiar Street Scenes, 1978–80, chromogenic print, the Museum of Fine Arts, Houston, Museum purchase funded by Joan Morgenstern. © Hiroichi Gochō.
Uematsu Keiji, Right Angle Position, 1973, gelatin silver print. © Keiji Uematsu / Photo courtesy of Yumiko Chiba Associates
Kōji Enokura, P.W. No. 51, Symptom—Floor, Hand, 1974, gelatin silver print, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund. © Michiyo Enokura / Photo: Paul Hester, Hester + Hardaway Photography
Miyako Ishiuchi, from Apartment, 1977–78, gelatin silver print, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund. © Ishiuchi Miyako / Photo: Paul Hester, Hester + Hardaway Photography
Daidō Moriyama, from Accident, 1969, gelatin silver print, Tokyo Polytechnic University, Shadai Gallery. © Daidō Moriyama.
The late 1960s and early 1970s marked a period of political and social turmoil in Japan. The country was struggling to forge a new identity on the world stage, and Japanese artists were seeking a medium that could adequately respond to these uncertain times. For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979 explores in depth, for the first time, the role of photography in the formation of contemporary art in Japan.
This groundbreaking exhibition presents some 250 works: photographs, photo books, paintings, sculpture, and film-based installations. The unprecedented survey demonstrates how 29 Japanese artists and photographers enlisted the camera to make experimental and conceptual shifts in their artistic practices during a time of radical societal change.
For a New World to Come draws from the MFAH collections and features loans from partner institutions in Japan, including the National Museum of Modern Art, Tokyo, and the Tokyo Metropolitan Museum of Photography. The exhibition sheds light on the intense search for new directions in Japanese art and photography in the 1970s. Many of the important experimental works on view are little known outside of Japan and have never been seen by U.S. audiences.
Exhibition Catalogue
The comprehensive illustrated catalogue, published by the Museum of Fine Arts, Houston, and distributed by Yale University Press, is available through The MFAH Shop (713.639.7360) and the Museum's Hirsch Library (713.639.7325).
"For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979" is organized by the Museum of Fine Arts, Houston.
Generous funding for the exhibition and catalogue is provided by:
The Japan Foundation
Michael A. Chesser
Bettie Cartwright in memory of Colin Kennedy
Taka Ishii Gallery
Japan Cultural Research Institute
Kuraray
John A. MacMahon
NOLTEX L.L.C.
Yasuhiko and Akemi Saitoh
Ms. Miwa Sakashita and Dr. John R. Stroehlein
Toshiba International Corporation
Manfred Heiting
Japan-United States Friendship Commission
Northeast Asia Council of the Association for Asian Studies
Marcia and Mark Goldstein
Japan Business Association of Houston
Mitsubishi Caterpillar Forklift America, Inc.
Yumi and Toshi Yoshida