The Art of Exaggeration July 1–September 23, 2012
James Gillray, A Peep at Christies; _ or _ Tally-ho, & His Nimeney-Pimmeney Taking the Morning Lounge, 1796, etching and aquatint, hand colored, Sarah Campbell Blaffer Foundation, Houston.
Jusepe de Ribera, Large Grotesque Head, c. 1622, etching, first of three states, the MFAH, museum purchase with funds provided by Marjorie G. and Evan C. Horning Print Fund.
Jean Ignace Isidore Gérard, La Caricature; Les Ombres Portees, No. 5, 1830, lithograph on paper, the MFAH, gift of Mr. and Mrs. Alvin S. Romansky.
Francisco de Goya, Hasta la muerte, published 1799, first edition, etching, burnished aquatint, and drypoint, the MFAH, museum purchase with funds provided by the Museum Collectors.
William Hogarth, Characters Caricaturas, 1743, etching, Sarah Campbell Blaffer Foundation, Houston.
Focusing on the artistic impulse to exaggerate and distort realistic features, characteristics, and situations, this exhibition encompasses images of the grotesque, caricature, and satire. Such artistic devices take on many forms: the tragic and comic, the ridiculous and sublime, the horrible and ludicrous, and the realistic and fantastic. Whereas some scenes of exaggeration focus solely on the distortion of facial features, others parody specific people and character types, often as commentaries on the political, social, or moral foibles of society.
The Art of Exaggeration comprises works on paper spanning the 16th to 21st century, with examples by artists from Pieter Bruegel the Elder and Jusepe de Ribera to Francisco de Goya, René Magritte, and Pablo Picasso. The exhibition also highlights major artists from the genre's heyday in the 18th and early 19th centuries, such as Honoré Daumier, James Gillray, and William Hogarth. The graphic works on view are drawn primarily from the collections of the MFAH and Sarah Campbell Blaffer Foundation.
This exhibition is organized by the Museum of Fine Arts, Houston.
Generous funding is provided by:
