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Conservation Spotlight: The Samuel H. Kress Collection

Inspired by the Kress Foundation's initiative to improve awareness and access to paintings, the MFAH conservation department initiated technical studies of the 26 paintings in the Kress Collection.

The project benefited from the efforts of the 2015 Kress fellow in conservation, Samantha Skelton, who investigated and described the original materials of several of the paintings. The technical imaging (record photography, infrared reflectography and ultraviolet images, x-radiography) was undertaken by Matthew Golden, conservation imaging specialist; and Bertram Samples, senior paintings conservation technician. Scientific analysis of the materials of the Kress paintings and their ageing characteristics was undertaken by Corina Rogge, the Andrew W. Mellon research scientist at the MFAH and Menil Collection.

The goal of this ongoing project is to provide technical study reports on all the Kress paintings in the MFAH collection. As each report is completed, it will be posted online to allow free access to anyone interested in the historical methods, materials, and techniques of master artists of the past.

Alessandro Magnasco, “Figures in a Landscape” and “Landscape with Washerwomen”

Landscape with Washerwomen and Landscape with Figures came to the MFAH in 1961 as part of the Samuel H. Kress Foundation donation. Both landscapes were painted by Alessandro Magnasco in 1715, but they contrast in tone. 

Access the full technical report on Landscape with Washerwomen and Landscape with Figures


François de Nomé, “The Flight into Egypt”

The painting by François de Nomé shows the Holy Family on the flight into Egypt, traveling against a fantastic architectural backdrop before a landscape setting.The painting has undergone extensive restoration throughout its history which may have significantly altered its appearance and apparent quality.

Access the full technical report on The Flight into Egypt

Domenico Tintoretto, “Tancred Baptizing Clorinda”

Tancred Baptizing Clorinda is in stable condition. There is evidence of multiple past campaigns of restoration including lining, several cleanings, and repaired losses. Some surface wear is apparent in the foreground, but the painting
surface is otherwise in good condition for a work of this age.

Access the full technical report on Tancred Baptizing Clorinda

About the Kress Collection

Twenty-six European paintings in the collection of the Museum of Fine Arts, Houston, share a special history. These works were a remarkable gift to the MFAH from the Samuel H. Kress Foundation and they stand as a testament to the model of American cultural philanthropy exemplified by Samuel H. Kress and his incomparable legacy: a sense of public responsibility imposed upon great wealth, and a belief in the moral force of art. They enrich the collection and provide beautiful, outstanding examples of Italian painting for the Houston public.

In the years of the Great Depression, a touring exhibition of 50 pictures from Kress’s private collection introduced Italian art to an eager public in 24 American cities. Throughout the 1930s his gifts of art placed the first Old Master paintings on the walls of local museums in many parts of the country. By 1941, his role as a Founding Benefactor of the National Gallery of Art reaffirmed both the value of his collection and his constancy of purpose.

During and after World War II, Kress increased his collection by adding an extraordinary number of incomparable European masterpieces. Then, following rearrangement of the 34 Kress galleries at the National Gallery, a large quantity of museum-quality paintings became available for viewing elsewhere. This opportunity gave rise to a novel, generous, and logistically ambitious program that offered representative surveys of Italian art to selected museums across the country. Through this national program in art philanthropy, the Kress Foundation ultimately donated more than 700 Old Masters to regional museums during the 1950s, including the MFAH. The Kress Collection paintings acquired by the MFAH span the late 15th to early 19th century, with the majority from various Italian artistic centers during the 16th century.