Caroline Wiess Law Building Events Week of Tuesday, April 24, 2018-Monday, April 30, 2018
Vertigo of Color: Matisse, Derain, and the Origins of Fauvism Through May 27, 2024
A creative partnership between Henri Matisse and André Derain in 1905 changed the course of French painting. This exhibition showcases the legacy of that collaboration through paintings, drawings, and …
30 May Thu / 2024
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Taking Venice
2 p.m.—3:45 p.m.Texas Premiere / During the Cold War, the U.S. government was determined to fight Communism with culture. This new documentary uncovers the story behind rumors that highly placed insiders rigged the 1964 Venice Biennale so Texas artist Robert Rauschenberg could win the Grand Prize.
31 May Fri / 2024
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Taking Venice
7 p.m.—8:45 p.m.Texas Premiere / During the Cold War, the U.S. government was determined to fight Communism with culture. This new documentary uncovers the story behind rumors that highly placed insiders rigged the 1964 Venice Biennale so Texas artist Robert Rauschenberg could win the Grand Prize.
01 Jun Sat / 2024
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Saturday Members Tour | 100 Years of Art at the MFAH
Gallery Talk/Tour Audrey Jones Beck Building Caroline Wiess Law Building Nancy and Rich Kinder Building11:30 a.m.—12:15 p.m.MFAH members are invited on this tour marking the centennial anniversary of the Museum’s opening. Works of art throughout the campus reflect the incredible growth of the MFAH collections over the past century.
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Saturday Members Tour | 100 Years of Art at the MFAH
Gallery Talk/Tour Audrey Jones Beck Building Caroline Wiess Law Building Nancy and Rich Kinder Building12:30 p.m.—1:15 p.m.MFAH members are invited on this tour marking the centennial anniversary of the Museum’s opening. Works of art throughout the campus reflect the incredible growth of the MFAH collections over the past century.
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Taking Venice
7 p.m.—8:45 p.m.Texas Premiere / During the Cold War, the U.S. government was determined to fight Communism with culture. This new documentary uncovers the story behind rumors that highly placed insiders rigged the 1964 Venice Biennale so Texas artist Robert Rauschenberg could win the Grand Prize.