Calendar Week of Friday, February 14, 2014-Thursday, February 20, 2014
Jacolby Satterwhite: A Metta Prayer Through November 10, 2024
In the expansive multimedia installation A Metta Prayer, Jacolby Satterwhite fuses choreography, video, animation, lighting, and music to reimagine a kaleidoscopic, computer-generated world.
26 May Sun / 2024
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Poetry Inspired by MFAH Permanent Collection (Part 2 of 2)
2 p.m.—3 p.m.The MFAH presents a series of poetry programs to commemorate the MFAH permanent collection.
27 May Mon / 2024
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Open on Memorial Day
11 a.m.—5 p.m.Spend time at the MFAH on Memorial Day.
30 May Thu / 2024
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Drop-in Tour | The American Gilded Age
1:30 p.m.—2:30 p.m.This tour explores the work of “Gilded Age” artists such as Mary Cassatt, John Singer Sargent, and Louis Comfort Tiffany.
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Taking Venice
2 p.m.—3:45 p.m.Texas Premiere / During the Cold War, the U.S. government was determined to fight Communism with culture. This new documentary uncovers the story behind rumors that highly placed insiders rigged the 1964 Venice Biennale so Texas artist Robert Rauschenberg could win the Grand Prize.
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Happy Hour Thursday
5 p.m.—8:30 p.m.Happy Hour Thursday is the place to be! Meet your friends at the MFAH for the best night of the week.
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Art Bites | The Grand Manner Portrait in European Painting
6 p.m.—6:30 p.m.A little art can go a long way! Visit the galleries for a snippet of art appreciation.
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Art Bites | The Grand Manner Portrait in European Painting
6:30 p.m.—7 p.m.A little art can go a long way! Visit the galleries for a snippet of art appreciation.
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Art Bites | The Grand Manner Portrait in European Painting
7 p.m.—7:30 p.m.A little art can go a long way! Visit the galleries for a snippet of art appreciation.
31 May Fri / 2024
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Tour | Artwork of the Month “Esfera”
1:30 p.m.—2 p.m.On this guided tour, learn about the artwork Esfera No. 8.
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Taking Venice
7 p.m.—8:45 p.m.Texas Premiere / During the Cold War, the U.S. government was determined to fight Communism with culture. This new documentary uncovers the story behind rumors that highly placed insiders rigged the 1964 Venice Biennale so Texas artist Robert Rauschenberg could win the Grand Prize.