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A Royally Inspired Q&A with Tilda Swinton
Oct 23, 2018 - When we made Orlando in 1990, a film I love dearly, Sally Potter and I studied formal portraiture assiduously. I think, in many ways, there cannot be a more different path for a monarch than that of an actor, where it is essential that the individual interprets and makes real, in their own image, some narrative set down outside of their I’m not sure I’ve learnt anything in particular that pertains to my profession as such, but from Queen Elizabeth II, above all, I am one of countless millions who have had as an example an extraordinarily dedicated and resilient
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Hong Kong Cinema Meets MFAH Films for “Chicken and Duck Talk”
Jan 30, 2017 - When I first visited Hong Kong, I couldn’t help but notice how surveillance is an inescapable part of the urban fabric: Guards, security cameras, and ID checks are everywhere, and the people often seem quite habituated to it. I began to wonder about the relationship between this unusual urban culture and Hong Kong’s unique, globally influential cinema. In the book, I show how Hong Kong cinema was able to achieve success partly because it deliberately transformed Hollywood conventions and properties.
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Inside Fashion Fusion: An Interview
Apr 22, 2019 - His fervent expression of his own human experience, his use of symbolic content, and a rich color palette are some of the things I found both inspiring and relatable. I can let my imagination stretch beyond the world of fashion into wearable art. What was it like to see your clothing on the runway at past Fashion Fusion events? KB: Aside from the show experience itself, I can’t wait to see what everyone has created. I’m always so proud and impressed by the hard work of my peers. It’s a guaranteed spectacular show! Want to find out more?
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The “Confident Exuberance” of Louise Nevelson & Dorothy Hood
Nov 2, 2018 - She is also well known for her Frozen Laces I, a 1980 steel sculpture on Smith Street in downtown Houston, near Allen Center. Which works of art in Kindred Spirits speak to one another? I hope young visitors will be inspired, and that more experienced visitors will see Nevelson and Hood in a new light, recognizing the vital contributions that Nevelson and Hood made to art in America. I chatted with Alison de Lima Greene, the Isabel Brown Wilson Curator of Modern and Contemporary Art and the curator of Kindred Spirits, about Nevelson (1899–1988), Hood (1918–2000), and the exhibition that takes a fresh look
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Royal Reflections: Rulers in Art from the MFAH Collections
Oct 12, 2018 - every time I did so, I still felt like an alienated foreigner.” As Elizabeth I in this photograph, his eyes meet the viewer’s, as if to say, “See me.” Chan-Hyo Bae, Existing in Costume_1, 2006 As a student in London, Korean photographer Chan-Hyo Bae (born 1975) experienced immense cultural confusion: “I continued to attempt to position myself with the Western culture, but
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Tell Us a Story! The MFAH Story Booth Listens
Aug 9, 2018 - This visitor shared a family connection: “I am here today because my father worked as an electrician and I saw the place when it was nothing and now it’s a beautiful building. On opening day for the Glassell School, we asked people to fill in the blank: “I am here today because . . .” The many inventive responses included: “I would know what my dog would say to me when he wants food: ‘FOOD!!!’” For “Art + Design Community Day” in July, we asked, “What’s one thing you’d never want to lose?
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Who Needs Leftovers? Go French for “Degas: A New Vision”
Nov 26, 2016 - JF I love experimenting, and I like to have fun and enjoy life! Degas’s paintings are rich, textural scenes of dancers, café diners, racehorses, and snapshots of daily activities. They are full of life. I chose products that Escoffier loved at that time: scallops with fennel sauce, and tournedos Rossini. Jacques Fox, Artisans When planning a menu, I feel it is important to research the people and the time period to connect all elements together.
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Happy Thanksgiving! Curatorial Picks for the Holiday
Nov 17, 2017 - Charles Angrand, The Harvesters, 1892 Whenever I see this painting, I am reminded that my paternal grandmother was a farmer’s daughter, born around the time this work was made. I am reminded of all that our culture owes to the original peoples of the Americas. I can imagine stepping back in time to see a family sitting around a table with the father seated in this chair, giving thanks for a plentiful harvest.
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Dancing with Degas
Nov 18, 2016 - I like this one so much because it is so accurate! DR My favorites are Degas’s sketches. I love seeing the process that Degas went through to make his paintings. I chatted with two of the students, Helena Oseguera and Divya Rea, about how it felt to be a dancer among Degas—and how his work is still meaningful today. As a dancer, I do relate to Degas’s paintings, but everyone can relate to these works. Degas paints the ballerinas in a human way: tired, resting, rehearsing.
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Shorts: “Houston Stories”
The Nether When I Think of Home Why Won't The Sun Come Out Learn more about the films at Houston Cinema Arts Festival. Programmed by Rachael Valentine Acosta Short Films in Program Amerikan Boy Cloud Maker Go Outside Green Hummingbird - Abuela M'api If I Only Had Wings Love Has Come to Town Please Take Off Your Shoes and Never Leave Runaway