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  1. When a House Is More than a Home: Installations by Daniel Joseph Martinez

    Dec 15, 2017 - Daniel Joseph Martinez, the west bank is missing: i am not dead, am i, 2008, clear vacuform and aluminum, courtesy of the artist and Roberts & Tilton. © Daniel Joseph Martinez the west bank is missing: i am not dead, am I opens HOME—So Different, So Appealing is bookended by two installations by Daniel Joseph Martinez, both architectural and monumental: The wheels of the west bank is missing: i am not dead, am I are each 15 feet in diameter, and The

  2. The Kodak Snapshot: A Conversation with MFAH Curator Anne Tucker (part 2 of 3)

    Apr 3, 2012 - I knew the old man, I had talked to him, I was quite fascinated by him. And I had photographed him myself. My photograph is not Robert Frank’s photograph. "When I first came into photography, the first time I saw work by Robert Frank, who is a major artist in our collection, I was stunned to see he had photographed a man I knew in my childhood: an elderly black man positioned by In the wake of the Eastman Kodak Co. filing for bankruptcy, I sat down for a chat with Anne Wilkes Tucker, the Gus and Lyndall Wortham Curator of Photography at the MFAH. 

  3. Beauty, Hope & Short Films: An Interview with Filmmakers Brian Ellison & Emmanuel Osei-Kuffour, Jr.

    Jul 6, 2018 - I experienced a lot of ignorance from people because I was darker. For the film, I was thinking about the idea of not being seen for who you think you are. BE: When I saw Dominique Elam, who plays the protagonist in A Day in the Tr3, I knew that he was the one. He is a very eclectic, interesting person. He was not necessarily playing a role—he could just play himself. I chatted with each of them, and excerpts of our conversations follow below. You can read the full interviews here.

  4. William Forsythe Inspires Movement with “Choreographic Objects”

    Jul 2, 2019 - “I immediately wanted to be all up in that,” Jones said. “I wanted to be around it, in it, under it, suspended in it. I wanted to improvise, I wanted to react to it and react because of it.” “I think they were surprised to see that Mr. Forsythe’s reach goes far beyond his role as a choreographer in a literal sense,” Jones said. “Although I have never worked with Forsythe, my impression of him as a choreographer is that he’s a risk taker,” said their instructor, Courtney Jones.

  5. “Staff Art Show” Spotlights Talent across the MFAH

    Feb 22, 2019 - Then, at the last minute, I added the two moons, because there’s something romantic and whimsical about the moon. . © Monica Cuellar Monica Cuellar Security Console Monitor “I wanted to make some type of abstract landscape with a lake. I thought of reflections on a water’s surface, as well as the reflection of one’s self and the state of one’s mind both above and underneath the surface.”

  6. Virtual Cinema: A Summer in “Cane River”

    Jul 19, 2020 - Sacha Jenkins I went down to New Orleans to stay with my dad, Horace Byrd Jenkins III, one summer. I was 10 years old. My dad was filming Cane River—his first and only narrative feature—when I was visiting. I remember eating juicy burgers at the Blue Plate. The jukebox would always play “House of the Rising Sun” by the Animals, which I thought was cool because it name-checked New Orleans and I was right there!

  7. A Legacy from Gee’s Bend: Lutisha Pettway’s “Bars” Quilt

    Feb 8, 2019 - “I had nine children. Two of them died. I had to make quilts for them, and all my quilts was scrapped up out of old clothes back then. Later on, when I was a good bit older, I bought cloth from the store sometime. I did my work by my own hand, by myself.” See the “Bars” Quilt and other works of art in “Mending: Craft and Community,” on view in the Law Building through October 20.

  8. Good Times with Ernie Barnes and Alexis Pye

    “Long before I knew what an artist was, or that I could be one, J.J. was the only model I had. That iconic painting has found its way into countless Black households [and] my work honors that inheritance. “As a professional athlete, I was able to move about the country and explore every dive I could find and there was always a Sugar Shack.” Pye (born 1995) recalls the impact that Good Times, along with leading character J.J.

  9. MFAH Membership

    Nov 12, 2020 - I attend more lectures, view more films, see more art, and have a much richer experience than I would as a nonmember. Nancy Michon | Dual MembershipOne of the biggest benefits I get from being a member of the MFAH is that I’m there more often. This type of intimacy is what I cherish most about my visits to one of the most well-rounded art experiences in Houston. You’re Invited!

  10. Looking at “Art of the Islamic Worlds” in a Digital Exhibition

    Feb 22, 2018 - I experienced magnificent architecture and lush gardens, and read beautiful calligraphic texts—all from my desk at the MFAH. This summer I saw sights and wonders of the Islamic worlds, from Iran’s Safavid dynasty (1501–1736) to India’s Mughal empire (1526–1857). The research and organizational process for my digital journey was intense and rewarding, as I delved into information about many Islamic cultures.