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  1. “Radical: Italian Design” | 3 Questions for Dennis Freedman

    Jan 18, 2020 - Dennis Freedman: What first sparked my interest in the work of these Radical groups was our shared idealism. I had a small one-bedroom apartment on the 10th floor of a building without a freight elevator. I wasn’t sure my purchase would fit through my door.

  2. Visualizing the Future: An Interview with Artists Joris Laarman & Anita Star

    Jun 29, 2018 - Laarman and Star chatted with me about their work, on view at the MFAH through September 16, and how design and technology can bring a positive glimpse into our future.   Anita Star: I think that without the videos, the pieces would be very difficult to understand! A big part of the work is showing the progress of how things are made. You can see new production techniques in action.

  3. hang@MFAH: A Place for Teens

    Jun 27, 2013 - For more information on hang@MFAH, visit the program page here. By building on our existing strengths and fully using the tools of our connected age—just as generations before us harnessed the advances of their times—we can help create the makers and life-long learners that our era demands Our learning lab is equipped with digital-media tools such as 3-D printers and iPads, as well as analog tools such as sewing machines and fabric. Working with mentor artists, teens are limited only by their own imaginations.

  4. “Eye on Third Ward” Photographers Share Stories and Inspirations

    Apr 30, 2012 - Where would America be without these people, the average hard-working Americans? They’re too busy to stop for recognition, but America wouldn’t be the same without them.  

  5. The Museum of Fine Arts, Houston, presents “Beatriz González: A Retrospective”

    Sep 14, 2019 - “Through her work González proved that art can express pain and grief without resorting to the clichés of figurative painting, creating harrowing images that remain in our consciousness long after we have seen them.” efforts to build awareness and appreciation of the diverse artistic production of Latin American and Latino artists among our audiences. The Museum is honored to present this retrospective of Beatriz González’s work, in partnership with our colleagues at the Pérez Museum.”

  6. Questioning the Line: Gego, A Selection, 1955–90

    the Line traces the evolution of the career of German-born Venezuelan artist Gego (Gertrud Goldschmidt), from a series of early drawings, prints, and sculptures of the late 1950s to her distinctive wire constructions—“drawings without

  7. Monster (Kaibutsu)

    Continually left without satisfactory answers—and with an increasingly distressed child—she furiously escalates her concerns to the school board and the media.

  8. Strike a Pose and Find Inspiration with #InstaTourMFAH

    Apr 13, 2017 - Photo by @tmnewtn  Photo by @ruthiechen  Photo by @galaorwhatever Smartphones Rule Snapping pictures during their visit continues to be an important way visitors engage with art. In a survey, we learned that 96% of MFAH visitors had smartphones during their visit, and 78% of them used these devices to take photos while they were here. What Stops You in Your Tracks? Rather than focusing on art-history information or biographies of artists, our guide examines why these objects are so intriguing to photograph.

  9. The Richness & Variation of Sub-Saharan Photography

    Jul 27, 2020 - Plan ahead for your visit. This exhibition is organized by the Museum of Fine Arts, Houston. Range of Expression It goes without saying that sub-Saharan Africa is a vast territory with hundreds of individual cultures, languages, and artistic traditions and with differing histories in the colonial and post-colonial periods

  10. Line, Redrawn

    Apr 9, 2013 - When you visit the exhibition, pay close attention to The Charnel House, The Kitchen, The Milliner’s Workshop, and Sleeping Woman, all of which show different forms of white overdrawing and pentimento. who spent the early portion of the 1940s photographing Picasso’s work, Brassaï recalls that Picasso even asked Françoise Gilot—Picasso’s companion in 1946—to copy his canvas so that he could continue working on the painting without