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  1. Jazz on Film Returns

    May 31, 2017 - This June, we celebrate the fifth year of Jazz on Film, one of our most popular annual series! Guest curator Peter Lucas selects new and classic films that explore jazz music through documentaries and features. Here’s a preview of the seven selections—a mix of old, new, and rediscovered—that come to our big screen this month: Jazz on Film Begins! Jazz on Film kicks off with the 1958 docudrama I Want to Live!

  2. “Be Natural” Sheds Light on Women in Film

    Apr 1, 2019 - We aim not just to look back at Alice’s past, but to stand next to her and look into her future—our present. “Now is the time to step forward and bring Alice’s story to light, given the current conversation about women’s rights and how our stories are pushed to the shadows throughout history.”

  3. The Visual Arts Meet the Literary Arts at the MFAH

    Mar 5, 2019 - Among the highlights are the Art + Lit series, held in collaboration with local literary group Tintero Projects; and our drop-in writing sessions. For example, our Paradise in Poetry session highlighted the flora and fauna in the exhibition Garden Paradise: The Magnificent Safavid Carpet from the Burrell Collection, Glasgow.

  4. Shades of Love: Romance in Contemporary African Cinema

    Community partner: Our Image Film and Arts Festival.

  5. The Museum of Fine Arts, Houston, Completes the Sarah Campbell Blaffer Foundation Center for Conservation, Designed by Lake|Flato Architects

    Oct 24, 2018 - the distinguished level of our extraordinary art conservators and scientists. “Our team can now easily collaborate across all areas of the MFAH—from the collections on the main campus to those in our decorative-arts house museums, Rienzi and Bayou Bend Collection and Gardens—using the most advanced technology The completion of the center also brings us one step closer to our goal of unifying the Museum’s facilities into one contiguous, 14-acre main campus in 2020.”

  6. Top 12 Wintry Works of Art, Selected by MFAH Curatorial Staff

    Dec 13, 2018 - Many of them still sit on our bookshelves and dressers. A highlight of our trip was ice skating in Central Park. The pink and light green of the silk mount are a reference to the traditional Christmas colors of Japan, which are lighter than our red and green.

  7. Expansive Exhibition of John Singer Sargent Watercolors Opens at the Museum of Fine Arts, Houston, in March 2014

    Jan 16, 2014 - Our goal is to help create economically vibrant communities through lending, investing and giving. I have no doubt that our visitors will prefer the luminous watercolors to his better-known paintings in oil.” “Following upon our exhibition of Sargent’s paintings in 2010, this is the ideal show to bring to the Museum of Fine Arts, Houston, at this time.

  8. The Museum of Fine Arts, Houston, presents William Forsythe’s “Choreographic Objects,” opening in May 2019

    Apr 4, 2019 - “The Choreographic Objects that make up our presentation are at once playful and profound, revealing that choreography is everywhere.” Internationally acclaimed as one of the foremost choreographers of our time, Forsythe first began his ongoing series of Choreographic Objects in 1991. “We are delighted to present his unexpected and engaging works to our summer audiences, who look forward to the Museum’s annual presentations of immersive contemporary installations year after year.”

  9. Hong Kong Cinema Meets MFAH Films for “Chicken and Duck Talk”

    Jan 30, 2017 - It’s always special when members of the Museum’s subcommittees share their areas of expertise with our audiences. On February 11, Karen Fang, a film scholar and member of our film committee, stops by to present a brief overview of her latest book, Arresting Cinema: Surveillance in Hong Kong Film, followed by a screening of the classic Hong

  10. Noguchi Was Here

    Sep 25, 2015 - After pacing out the site, taking measurements, and doing a bit of research, all went smoothly this summer for our crew of six—and we were even rewarded with a little discovery. It was too heavy for our equipment, but since the crane was coming anyway, we waited for that. We cut much of the mortar out from where the disc attached to a pedestal, not thinking twice about what was underneath.