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  1. Brown Foundation, Inc. Plaza

    Adjoining the Glassell School of Art and Cullen Sculpture Garden is a nearly one-acre public greenspace: The Brown Foundation, Inc. Plaza, designed by Deborah Nevins & Associates, in collaboration with Nevins & Benito …

  2. Bayou Bend Collection and Gardens

    Bayou Bend is the MFAH house museum for American decorative arts and paintings. Displayed in the former home of Houston civic leader and philanthropist Ima Hogg (1882–1975), the collection is one of the finest showcases of …

  3. The British Are Coming! Regal Portraits of Henry VIII & Elizabeth I Visit for “Tudors to Windsors”

    Sep 14, 2018 - For the scores of viewers and countless binge-watchers of the hit Netflix series The Crown—and for the even larger global audience that tuned in to the televised royal wedding of Prince Harry and Meghan Markle in May—the …

  4. Patron-Plus Members Preview | "Buddha | Nature"

    Plan Your Visit The exhibition is located on the Lower Level of the Beck Building. The exhibition traces a path through Buddhist wisdom using both ancient sculpture and contemporary art to illuminate the ecological and ethical questions of our time.  MFAH members at the Patron, Supporting, Sponsor, Benefactor, and Leadership Circle levels are invited to an exclusive preview of Buddha / Nature: Five Dialogues on Our Shared World before it opens to the public.

  5. Virtual Cinema | See Critically Acclaimed Films This Winter

    Dec 7, 2020 - Two critically celebrated dramas in our virtual theater may have additional honors to come. Generous funding is provided by Nina and Michael Zilkha; The Consulate General of the Republic of Korea; Franci Neely; Carrin Patman and Jim Derrick; Lynn S. As Karen Fang, a member of the Museum’s film subcommittee, says about Coded Bias, “a documentary critique of the destructive prejudices built into our technologies and social structures may not seem like an obvious movie choice

  6. Four Daughters (Les filles d’Olfa)

    “Takes us into the intimate, inner circle of family ties to tell a larger story of our time.” Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  7. hang@MFAH: A Place for Teens

    Jun 27, 2013 - For more information on hang@MFAH, visit the program page here. By building on our existing strengths and fully using the tools of our connected age—just as generations before us harnessed the advances of their times—we can help create the makers and life-long learners that our era demands Our learning lab is equipped with digital-media tools such as 3-D printers and iPads, as well as analog tools such as sewing machines and fabric. Working with mentor artists, teens are limited only by their own imaginations.

  8. Vincent van Gogh: His Life in Art

    Frequently Asked Questions • Why can’t I buy tickets online? Due to the extreme popularity of Vincent van Gogh: His Life in Art, the Museum has reached a limit for advance tickets.  MFAH Gallery Experience: Van Gogh Up Close When you visit the exhibition, be sure to stop by the companion display nearby! Visitors still have the opportunity to experience the exhibition, because tickets are available for purchase at any admissions desk on the day of your visit.

  9. Strike a Pose and Find Inspiration with #InstaTourMFAH

    Apr 13, 2017 - Photo by @tmnewtn  Photo by @ruthiechen  Photo by @galaorwhatever Smartphones Rule Snapping pictures during their visit continues to be an important way visitors engage with art. In a survey, we learned that 96% of MFAH visitors had smartphones during their visit, and 78% of them used these devices to take photos while they were here. What Stops You in Your Tracks? Rather than focusing on art-history information or biographies of artists, our guide examines why these objects are so intriguing to photograph.

  10. Stains, Sprays, and Splendor Fill the Canvases of Color Field Painter Jules Olitski

    Feb 15, 2012 - How does it feel looking at a painting vs. standing in a space?