On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
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  1. Statements: African American Art from the Museum’s Collection

    The final section focuses on contemporary artists who directly challenge stereotypes and map the complexities of identity politics through portraiture and narrative.

  2. The Museum of Fine Arts, Houston, to debut first touring retrospective devoted to Colombian visionary Olga de Amaral

    Jun 9, 2021 - . • The works of “The Line” section incorporate painted, free-hanging threads. . • The “Rebel Warp” section illustrates how Amaral has investigated scale and challenged traditional weaving traditions with innovative plaiting, wrapping, coiling, and warp manipulation. The “Alchemy” section presents selections from Alquimia (Alchemy), her acclaimed 1980s series of wall-hung tapestries composed of individually woven linen squares lacquered with gesso and gold leaf.

  3. Oscar de la Renta Exhibition Opens in October at the Museum of Fine Arts, Houston

    Aug 22, 2017 - Garden Another of de la Renta’s lifelong passions was the garden, as explored in this next section. The East The next section explores the influence of the geographical region spanning the Middle East to the Far East—including Russia, North Africa, and Turkey—on de la Renta’s designs. De la Renta’s experience of Spanish artists, bullfights, flamenco dance, and festive celebrations informed the silhouettes, ornamentation, and palette of his collections, showcased in this section by ensembles featuring elaborate

  4. From India to the World: Textiles from the Parpia Collection

    Spanning the 17th to the early 20th century, this exhibition offers a rich cross-section of India’s textile traditions, from intricate court silks to boldly patterned cottons, dazzling tie-dyes, and masterfully woven ikats.

  5. Calaveras Mexicanas: The Art and Influence of José Guadalupe Posada

    The second section spotlights Posada’s renowned calaveras (skulls), or prints depicting skeletons of famous heroes, politicians, and revolutionary leaders, as well as common people.

  6. “Adios Utopia: Dreams and Deceptions in Cuban Art Since 1950” Opens This March, in Houston

    Feb 2, 2017 - The final section of Adiós Utopia presents works created over the past 40 years that chart the unraveling of the utopian dream. Opus (2005), a video installation by José Ángel Toirac featuring sound clips of Fidel Castro delivering elaborate statistics, opens this section. This section of the exhibition focuses on territorial tensions—specifically between Cuba and the United States—and mass migrations as represented by the sea.

  7. Light up Your Life with “Electrifying Design”

    Apr 28, 2021 - Each section—Typologies, The Bulb, and Quality of Light—has moments of pure, alchemic wonder as well as works that frame our understanding of the field.”

  8. Persian Carpets across Time

    Sep 17, 2017 - Visitors to Rebel, Jester, Mystic, Poet: Contemporary Persians are greeted by a large stack of carpets, with a fighter jet–shaped section removed from the center.

  9. “For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979” Debuts in Houston

    Oct 22, 2014 - This section features work by Shigeo Gochō, Kenshichi Heshiki, and Kiyoshi Suzuki, and emerging color snapshots by Daidō Moriyama. This section shows works by Nobuyoshi Araki, who created thematic books by photocopying his snapshots; Hiroshi Yamazaki, who employed a photocopier to capture street traffic; and Tsunehisa Kimura, who combined found pictures of Among the works in this section are large and grainy prints of intimate interior space by Miyako Ishiuchi; an installation of 48 color photographs by Takuma Nakahira; and a time-based performance project by Keizō Kitajima, who

  10. First Major Exhibition Devoted to History of Manipulated Photography Before Digital Age Opens at the Museum of Fine Arts, Houston, June 2

    Apr 30, 2013 - The section features people holding their own severed heads, figures appearing doubled or tripled, ghostly images and experimental distortions. 5. This section begins in the 1850s with elaborate combination prints of narrative and allegorical subjects by Oscar Gustave Rejlander and Henry Peach Robinson. The final section, "Protoshop," presents photographs from the second half of the 20th century by Yves Klein, John Baldessari, Duane Michals, Jerry Uelsmann and other artists who have adapted earlier techniques of image manipulation—such