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  1. Lecture | Tricia Hersey from Nap Ministry

    Learning and Interpretation programs receive generous funding from the Institute of Museum and Library Services; Samuel H.

  2. Patron-Plus Members Lecture | “Multiplicity: Blackness in Contemporary American Collage”

    Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell

  3. Core Program Lecture | Julia Phillips

    Jamal H. Daniel; Mr. Ronald A. Logan; and The Arch and Stella Rowan Foundation, Inc.

  4. Panel Discussion | Opening Day “Kehinde Wiley: An Archaeology of Silence”

    Learning and Interpretation programs receive generous funding from the Institute of Museum and Library Services; Samuel H.

  5. Opening Day Lecture | New Beginnings “Robert Frank and Todd Webb: Across America, 1955”

    Learning and Interpretation programs receive generous funding from the Institute of Museum and Library Services; Samuel H.

  6. Core Program Lecture | Harold Mendez

    Jamal H. Daniel; Mr. Ronald A. Logan; and The Arch and Stella Rowan Foundation, Inc.

  7. Members Preview Lecture | “Rembrandt to Van Gogh: Masterpieces from the Armand Hammer Collection”

    Rodney H. MargolisMarguerite & David M. Wilson, in honor of Andrius Kontrimas Additional support is provided by contributions to the Collectors Studio patron group. Official Promotional Partner:

  8. Family Programs

    Katz Foundation; Institute of Museum and Library Services; H-E-B; MD Anderson Cancer Center; Houston Junior Woman’s Club; The Brown Foundation, Inc.; Houston Livestock Show and Rodeo; Sharon G.

  9. Dancing with Degas

    Nov 18, 2016 - Edgar Degas, Dancers, Pink and Green, c. 1890, oil on canvas, The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929, 29.100.42.

  10. Curators in Conversation | "On the Road: Thematic Connections Between the MFAH Collections of Photography and Latin American and Latino Art"

    Learning and Interpretation programs receive generous funding from the Institute of Museum and Library Services; Samuel H.