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“Pre-Code” Films Explained: 3 Questions
Jul 13, 2019 - As the Museum’s summer repertory film series Cracking the (Pre) Code heats up, we pose some burning questions to our guest programmer, Bruce Goldstein. 1) What’s your elevator speech to explain the “Pre-Code” period in Hollywood
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A Cinematic Look at Mexican History: Chatting with “Tales of Mexico” Producer Luis Salinas
Sep 11, 2017 - exhibition Paint the Revolution: Mexican Modernism, 1910–1950 inspired an exciting summer of Mexican film for us, from a selection of classics from the Golden Age of Mexican Cinema to the new drama Tales of Mexico, which comes to our
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How to Make an Artist’s Manifesto: Recipe for Revolution
Dec 2, 2015 - This language unifies “us” and makes others feel included, as in the “Superflat” manifesto when Takashi Murakami asks “Where is our reality?”
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Her Starfish Will Lure You In
Nov 26, 2014 - When we use our eyes to look at her installation Woven Water: Submarine Landscape, we may not even notice the starfish at first.
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Telling Tales out of School
Oct 4, 2013 - As adults, we all carry this editor in our minds that’s very important—otherwise we’d make a lot of awkward mistakes.
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Virtual Cinema | Signs of the Times: “Cinetracts ’20”
Nov 7, 2020 - “I discovered that the real virus in our society is social inequality and racism.”
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Virtual Cinema Goes Dystopian with “The Hole”
Oct 6, 2020 - Internationally celebrated filmmaker Tsai Ming-Liang’s dystopian vision is a truly memorable movie that resonates for our times. The Hole WATCH HERE Your ticket ($8) supports the MFAH and provides a 3-day pass to the film.
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Follow the Path: Total Eclipse of the Arc
Jun 29, 2020 - Charlesworth’s work, particularly Modern History and Arc of Total Eclipse, prompts us to consider the many ways a single story can be told and the degree to which our understanding of events is conditioned by the images we see
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James Turrell: The Light Inside
Raised in a Quaker household and coming of age in the radical climate of the 1960s, Turrell has created some of the most beautiful art of our time, treating light as a material presence in perfectly calculated installations.
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MFAH Statement: “The Marketplace at Pirna,” c. 1764, Bernardo Bellotto
May 6, 2022 - Max Emden, a Swiss citizen and resident, initiated the voluntary sale of our painting, for which he was paid his asking price. The decision affirms our good title. No new information has come to light to alter our conclusion that the 1938 sale initiated by Dr. Emden was voluntary.