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Hidden Layers: Painting and Process in Europe, 1500–1800
This exhibition celebrates the Museum’s new Sarah Campbell Blaffer Foundation Center for Conservation, opening later this year. Hidden Layers: Painting and Process in Europe, 1500–1800 highlights recent technical findings for European paintings in the Blaffer and MFAH collections.
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Sculpted in Steel: Art Deco Automobiles and Motorcycles, 1929–1940
Today's automotive manufacturers strive for economy and efficiency, but there was a time when art and elegance reigned. The style reemerged across Europe after the war, and the 1920s to 1930s proved to be one of the most creative eras for international design in all mediums.
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Texas Clay: 19th-Century Pottery from the Bayou Bend Collection
Generous funding for the exhibition and publication is provided by: Leslie and Brad Bucher in memory of Michael K. Brown The early Texas pottery on display is drawn from the collection of Bayou Bend, the house museum for American decorative arts and paintings at the Museum of Fine Arts, Houston.
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Unrivalled Splendor: The Kimiko and John Powers Collection of Japanese Art
Wilson Macy’s The Japan Foundation Education programs for this exhibition are made possible by: The E. Rhodes and Leona B. Carpenter Foundation. The last exceptional collection of Japanese art in private hands, the Powers Collection is renowned for its extraordinary scale and quality, and the exhibition provides a rare chance to see these remarkable examples in the Houston
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Drawings by Rembrandt, His Students, and Circle from the Maida and George Abrams Collection
The show and its accompanying catalogue investigate the functions of drawings in Rembrandt’s studio and their value for him as a teacher. For Rembrandt, drawing documented the artist’s thinking, stimulating his imagination and conveying his skills as a keen observer of humanity and the world around him.
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W. Eugene Smith and James Nachtwey
Oct 8, 2012 - Eugene Smith and James Nachtwey are known for making some of the most powerful photographs in the history of journalism. The mission for both Smith (1918–1978) and Nachtwey (born 1948): to bear witness. This exhibition focuses on their documentations of medical practices.
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A Force of Color: Painting-in-Action with GONZO247
May 13, 2020 - How do you see art as a positive force for the community? For my entire life in Eastwood, the only public art was a mural by Leo Tanguma. I was never taken to museums or galleries. I connected with the use of lines because, for graffiti writers, a lot of what we do is sketch-based or letter-based. I used this inspiration, tied it to what I do, and translated to Plexiglas.
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Lifelong Learning at the Glassell School of Art
Nov 18, 2019 - I chose to relocate in Houston, and I worked for Shell for 34 years as a refinery operator. When I retired, I wanted to do art and see if I was good at it. The Studio School, for adults, offers everything from short-term workshops to full-semester courses in art and art history.
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Lois Weber & Anna Pavlova, Pioneering Women of Film & Dance
Mar 11, 2017 - Anna Pavlova poses for a publicity shot for the film. Weber took her role in the industry seriously, so when the challenge of directing The Dumb Girl of Portici presented itself, she accepted it with the determination and passion for which she was known.
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Operating on Art: Treating Walker Evans’s “Banda Headdress”
Aug 1, 2014 - My most recent project is a gelatin silver photograph by American artist Walker Evans (1903–1975), who is best known for his images of the Great Depression. Banda Headdress arrived in the MFAH conservation lab with a tear in the top right corner that made it unsafe for the object to be handled or displayed. MoMA commissioned Evans to document each sculpture and produce 17 portfolios and a traveling exhibition for the purpose of teaching students about African art history.