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  1. Wangechi Mutu “The End of carrying All”

    Celebrated for her recasting of African and feminist stereotypes, Wangechi Mutu draws freely upon the history of Western art and her native Kenyan culture. “My videos provide a way for me to enact, represent, what I value about women through rehearsed movement, I guess,” Mutu has said. “I’m aware that when I’m making collages and my drawings I’m fabricating, I’m concocting.

  2. Self, Model, and Self as Other

    Cindy Sherman, for example, made herself the focus of her work, and though her features became famous, her photographs offer little personal information. Painters such as Rembrandt and Van Gogh are certainly known for their self-portraits, and photographers have created some of their greatest works by using their own images.

  3. American Made: 250 Years of American Art at the Museum of Fine Arts, Houston

    Generous funding is provided by: Kinder Foundation Education programs for this exhibition are made possible by Mr. and Mrs. Michael C. Linn. For the first time in MFAH history, the museum galleries present an installation that integrates the collection of American paintings and sculpture with decorative arts, Native American art, photography, and works on paper.

  4. A Force of Color: Painting-in-Action with GONZO247

    May 13, 2020 - How do you see art as a positive force for the community? For my entire life in Eastwood, the only public art was a mural by Leo Tanguma. I was never taken to museums or galleries. I connected with the use of lines because, for graffiti writers, a lot of what we do is sketch-based or letter-based. I used this inspiration, tied it to what I do, and translated to Plexiglas.

  5. Lifelong Learning at the Glassell School of Art

    Nov 18, 2019 - I chose to relocate in Houston, and I worked for Shell for 34 years as a refinery operator. When I retired, I wanted to do art and see if I was good at it. The Studio School, for adults, offers everything from short-term workshops to full-semester courses in art and art history.

  6. Lois Weber & Anna Pavlova, Pioneering Women of Film & Dance

    Mar 11, 2017 - Anna Pavlova poses for a publicity shot for the film. Weber took her role in the industry seriously, so when the challenge of directing The Dumb Girl of Portici presented itself, she accepted it with the determination and passion for which she was known.

  7. Operating on Art: Treating Walker Evans’s “Banda Headdress”

    Aug 1, 2014 - My most recent project is a gelatin silver photograph by American artist Walker Evans (1903–1975), who is best known for his images of the Great Depression. Banda Headdress arrived in the MFAH conservation lab with a tear in the top right corner that made it unsafe for the object to be handled or displayed. MoMA commissioned Evans to document each sculpture and produce 17 portfolios and a traveling exhibition for the purpose of teaching students about African art history.

  8. Members Exclusive Access: Evening at the Museum

    Only the Beck Building is open for this event. MargolisThe Cyvia and Melvyn Wolff Endowment for ExhibitionsJonathan Blackwood and Dean MaddalenaBettie Cartwright Rosanette S. CullenJoyce Z. The special exhibition New Light on Old Masters: European Art from Houston Collections, 1300–1700 is also open for viewing. The sounds of jazz ensemble the Sam Dinkins, III Trio enhance the evening.

  9. Members Exclusive Access: Evening at the Museum

    Only the Beck Building is open for this event. MargolisThe Cyvia and Melvyn Wolff Endowment for ExhibitionsJonathan Blackwood and Dean MaddalenaBettie Cartwright Rosanette S. CullenJoyce Z. The special exhibition New Light on Old Masters: European Art from Houston Collections, 1300–1700 is also open for viewing. The sounds of jazz ensemble the Sam Dinkins, III Trio enhance the evening.

  10. 2013 Core Exhibition

    Established within the Glassell School of Art in 1982, the Core Program is designed for highly motivated artists who have completed their undergraduate or graduate training and are working to develop a sustainable practice. In 1998, the program added critical-studies residencies as an opportunity for writers to pursue independent curatorial and writing projects and to broaden the scope of the critical dialogue that is central to the practices of The Core Program at the Glassell School of Art receives generous funding from: The Joseph and Sylvia Slifka Foundation Andy Warhol Foundation The National Endowment for the Arts The following donors have underwritten