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  1. If “The Yellow Scale” were a drink ...

    May 11, 2020 - The obvious choice for the tropics was rum, but I decided against it because Kupka was probably a complex guy, with his political satire, cartoons, and Disks of Newton. “Dry” shake (no ice) for one minute. Shake vigorously in an up-and-down motion so that the liquid goes from the top to the bottom of the shaker. After one minute of shaking, add ice. He was inspired by “The Yellow Scale,” from the MFAH collections, and he shares his custom-made creation for you to try at home. As soon as I saw the self-portrait The Yellow Scale, my mind went to work.

  2. Home Is an Intimate Space: Amalia Mesa-Bains & “Transparent Migrations”

    Dec 1, 2017 - Of course, Houston is a major venue for art, but it’s also important to me that it’s a city with a large Latino population. I want people to find some sense of peace and some sort of meditative quality, but also maybe to wonder what these things stand for even if they don’t have a background in Latino art history. I felt from the very beginning, when I learned of this exhibition, that this was a place for my work, because I had a long history of this theme. What is significant about having your work on view in Houston?

  3. Challenge the Monotony! See This Film

    Aug 4, 2015 - For those who dare to challenge the monotony of studio-driven blockbusters, the Museum presents the Houston premiere of A Pigeon Sat on a Branch Reflecting on Existence.    I invite you to join us for A Pigeon Sat on a Branch Reflecting on Existence, screening on August 14, 15, and 16. • Houston Premiere Do you enjoy the whims of Terry Gilliam, but prefer the aesthetics of Wes Anderson?  Watch the Trailer and Get Tickets A Pigeon Sat on a Branch Reflecting on Existence is here for one weekend only, August 14–16, with screenings at 7 p.m. Friday & Saturday, and 5 p.m. Sunday. Info & Tickets

  4. Last Chance to See Video Art

    Nov 9, 2012 - This year has been groundbreaking for video-art exhibitions in Houston, and Frater’s show is a compelling addition to the mix. Kenyan-born and Brooklyn-based Mutu is known for her watercolor and collage work, so being able to view two videos in which she acts is a rare opportunity. In the spring, Contemporary Arts Museum Houston presented Perspectives 178: CINEPLEX, which simulated a “cinémathèque space for a celebration of the expansive nature of moving image media and the power of montage.”

  5. Virtual Cinema | New Music Documentary “Crock of Gold”

    Nov 13, 2020 - Please note: This film is not rated but contains material consistent with an R rating for profanity and adult content. Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Wyatt; ILEX Foundation; L’Alliance Française de Houston; and The Foundation for Independent Media Arts.

  6. None Whatsoever: Zen Paintings from the Gitter-Yelen Collection

    For information, see Group Visits and Tours. Group reservations not available for opening and closing weeks. New Orleans–based collectors Kurt Gitter and Alice Yelen Gitter have been deeply engaged in the collecting, understanding, and appreciation of the art of Japan for decades.

  7. Reflection and Enlightenment: Chinese Buddhist Gilt Bronzes from the Jane and Leopold Swergold Collection

    The Swergolds have been collecting Chinese art for nearly 30 years, and the Swergold Collection is considered one of the most extensive private collections of its type.  Written by Beatrice Chan, curatorial assistant for Asian art at the MFAH, the article explores major themes and key works of art in the exhibition. Arts of Asia is available at the Museum’s Hirsch Library.    

  8. Wangechi Mutu “The End of carrying All”

    Celebrated for her recasting of African and feminist stereotypes, Wangechi Mutu draws freely upon the history of Western art and her native Kenyan culture. “My videos provide a way for me to enact, represent, what I value about women through rehearsed movement, I guess,” Mutu has said. “I’m aware that when I’m making collages and my drawings I’m fabricating, I’m concocting.

  9. Self, Model, and Self as Other

    Cindy Sherman, for example, made herself the focus of her work, and though her features became famous, her photographs offer little personal information. Painters such as Rembrandt and Van Gogh are certainly known for their self-portraits, and photographers have created some of their greatest works by using their own images.

  10. American Made: 250 Years of American Art at the Museum of Fine Arts, Houston

    Generous funding is provided by: Kinder Foundation Education programs for this exhibition are made possible by Mr. and Mrs. Michael C. Linn. For the first time in MFAH history, the museum galleries present an installation that integrates the collection of American paintings and sculpture with decorative arts, Native American art, photography, and works on paper.