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Virtual Cinema “Going beyond the Big Screen with MFAH Films”
Sep 14, 2020 - a few topical documentaries, including Our Time Machine. Spotlight on Our Time Machine Our Time Machine follows Shanghai conceptual artist Maleonn as he stages a play for his father, who is in the early stages of Alzheimer’ We have two edgy French features: My Dog Stupid and Sybil; two female-centric dramas that premiered at the Cannes Film Festival: Ghost Tropic and Song without a Name, which has drawn comparisons to Academy Award–winner Roma; and Our film programming practice hasn’t changed since moving to Virtual Cinema.
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Journey through the Egyptian Afterlife with Matthew Barney’s “River of Fundament”
Sep 1, 2016 - The Egyptians, without the advantage of scientific images, made stories of both our bodies and spirits, separating the organs after death to be guarded by gods on what was understood as an actual journey into other realms. His newest film, River of Fundament, deals with mythic ways of understanding our bodily functions. Our bodies are earthly vessels that transform foodstuffs into both our life force and feces.
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New Year Reflections
Dec 30, 2011 - Productivity is hampered by an abundance of data without management or declaration of official records. 4. Except for a brief and unsuccessful experiment with an ERM system, the unstructured data has expanded without any management or classification. There are also concerns posed by our regulatory obligations.
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Meet the Books | “Private Pages: Sketchbooks and the Artistic Process”
Plan Your Visit Admission is free. The Hirsch Library is located on the lower level of the Beck Building. Parking Information | Museum Hours | MFAH Campus Map exhibition coordinator, discusses the broad range of artistic expression provided by the sketchbook: a space not only for honing skills and producing studies for future works, but also an area for working on concepts and ideas without
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Virtual Cinema | See Critically Acclaimed Films This Winter
Dec 7, 2020 - Two critically celebrated dramas in our virtual theater may have additional honors to come. Song without a Name, a moving feature from a first-time female director, is Peru’s submission to the Oscars for Best International Film. As Karen Fang, a member of the Museum’s film subcommittee, says about Coded Bias, “a documentary critique of the destructive prejudices built into our technologies and social structures may not seem like an obvious movie choice
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