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Impressionist and Post-Impressionist Masterpieces from the Pearlman Foundation
For information, see Group Visits and Tours. With the advent of World War II, Lipchitz fled Europe for New York and was welcomed by Pearlman and other patrons. Kokoshka took refuge in London, where Pearlman met him and sat for a portrait. Group reservations not available for opening and closing weeks. Culinary CanvasLe Jardinier at MFAH features the summer cocktail “La Ruche,” named after the shared residences of many affluent Impressionists in the Montparnasse
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Ernesto Neto: SunForceOceanLife
For the 2026 exhibition, see Ernesto Neto: SunForceOceanLife. The Museum’s summer series of grand-scale, immersive exhibitions continues with SunForceOceanLife. --
The nature of this installation allows for only a limited number of visitors at a time. Advance tickets strongly encouraged. Guidelines & tickets below.
• Have one adult for every two minors between the ages of 6 and 12 in the group. Adults must accompany children at all times.
• Access the pathway without babies, including in carriers or strollers. -
Peacock in the Desert: The Royal Arts of Jodhpur, India
Lead Underwriters: Nidhika and Pershant Mehta Additional generous support for this exhibition is provided by: Medha and Shashank Karve Sushila and Dr. Durga D. Agrawal National Endowment for the Arts The E. Información en español sobre la exposición Centuries of royal treasures from India come to the United States for the first time, in an epic presentation. jewels; a monumental 17th-century court tent; intricately carved furnishings; a Rolls-Royce; a 1944 L-5 Sentinel aircraft; and more outline the dynamic history of the Marwar-Jodhpur region and the Rathore dynasty that ruled it for
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Home Is an Intimate Space: Amalia Mesa-Bains & “Transparent Migrations”
Dec 1, 2017 - Of course, Houston is a major venue for art, but it’s also important to me that it’s a city with a large Latino population. I want people to find some sense of peace and some sort of meditative quality, but also maybe to wonder what these things stand for even if they don’t have a background in Latino art history. I felt from the very beginning, when I learned of this exhibition, that this was a place for my work, because I had a long history of this theme. What is significant about having your work on view in Houston?
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Challenge the Monotony! See This Film
Aug 4, 2015 - For those who dare to challenge the monotony of studio-driven blockbusters, the Museum presents the Houston premiere of A Pigeon Sat on a Branch Reflecting on Existence. I invite you to join us for A Pigeon Sat on a Branch Reflecting on Existence, screening on August 14, 15, and 16. • Houston Premiere Do you enjoy the whims of Terry Gilliam, but prefer the aesthetics of Wes Anderson? Watch the Trailer and Get Tickets A Pigeon Sat on a Branch Reflecting on Existence is here for one weekend only, August 14–16, with screenings at 7 p.m. Friday & Saturday, and 5 p.m. Sunday. Info & Tickets
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Last Chance to See Video Art
Nov 9, 2012 - This year has been groundbreaking for video-art exhibitions in Houston, and Frater’s show is a compelling addition to the mix. Kenyan-born and Brooklyn-based Mutu is known for her watercolor and collage work, so being able to view two videos in which she acts is a rare opportunity. In the spring, Contemporary Arts Museum Houston presented Perspectives 178: CINEPLEX, which simulated a “cinémathèque space for a celebration of the expansive nature of moving image media and the power of montage.”
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Virtual Cinema | New Music Documentary “Crock of Gold”
Nov 13, 2020 - Please note: This film is not rated but contains material consistent with an R rating for profanity and adult content. Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Wyatt; ILEX Foundation; L’Alliance Française de Houston; and The Foundation for Independent Media Arts.
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If “The Yellow Scale” were a drink ...
May 11, 2020 - The obvious choice for the tropics was rum, but I decided against it because Kupka was probably a complex guy, with his political satire, cartoons, and Disks of Newton. “Dry” shake (no ice) for one minute. Shake vigorously in an up-and-down motion so that the liquid goes from the top to the bottom of the shaker. After one minute of shaking, add ice. He was inspired by “The Yellow Scale,” from the MFAH collections, and he shares his custom-made creation for you to try at home. As soon as I saw the self-portrait The Yellow Scale, my mind went to work.
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Artists in Dialogue | Featuring “Multiplicity” Artists
Support for the national exhibition tour is provided by generous grants from the Henry Luce Foundation and the National Endowment for the Arts.Generous support is provided by:Bettie CartwrightTexas CapitalJereann and Holland ChaneyJBD Endowment funds are provided by the Louise Jarrett Moran Bequest; Caroline Wiess Law; Windgate Foundation; the William Randolph Hearst Foundation; Cyvia and Melvyn Wolff; the National Endowment for the Humanities; the Fondren
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None Whatsoever: Zen Paintings from the Gitter-Yelen Collection
For information, see Group Visits and Tours. Group reservations not available for opening and closing weeks. New Orleans–based collectors Kurt Gitter and Alice Yelen Gitter have been deeply engaged in the collecting, understanding, and appreciation of the art of Japan for decades.