On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
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  1. Looking South: Collecting the Arts of Mexico

    Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. Exhibitions are included with general admission. Their affinity for the country was part of a larger American fascination with Mexico between the 1910s and 1940s. Harris attended high school in Mexico City in the late 1920s.

  2. Perpetual Bloom: Botanicals in the 18th-Century Interior

    Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. These new discoveries ignited a craze for landscape gardens both in and out of doors. Perpetual Bloom explores the ways in which botanicals were displayed and re-created in domestic interiors during the 1700s.

  3. Line: Making the Mark

    With the advent of Modernism in the 20th century, line became its own definitive subject for artists, who no longer used it merely for representational purposes.

  4. Eye on Third Ward: Jack Yates High School Photography

    MFAH staff members select the best photographs for display in an annual exhibition. Now in its 16th year, Eye on Third Ward continues to inspire museum visitors along with the participants. All education programs at the Museum of Fine Arts, Houston, receive endowment income from funds provided by Caroline Wiess Law; the National Endowment for the Humanities; the William Randolph Hearst Foundation; the Fondren Foundation

  5. Beauty, Humor, and Social Justice: Gifts from Joan Morgenstern

    May 9, 2011 - In 1988, Morgenstern became the founding president of Photo Forum, the support group for the MFAH Photography Collection. From 1991 to 1993 she served as the President of the Board of Houston Center for Photography. For more information, please contact:MFAH Communications713-639-7554                                            Morgenstern is the founding president of the MFAH Photo Forum and chair of the MFAH subcommittee for Photography Accessions.

  6. The Story of Azaleas at Bayou Bend

    Aug 29, 2016 - I did not plan for it to happen during Bayou Bend’s 50th-anniversary year, but isn’t it nice that it did! By planting the Asian azalea—the iconic Southern flower—throughout Bayou Bend’s gardens, she was creating a very Southern experience for her guests. Wanda Hanners and Bart Brechter in early 2016 I understand you have a wonderful announcement to make about your 15-year quest for the lost azaleas.

  7. Duncan Phyfe: Master Cabinetmaker in New York

    Mar 21, 2012 - For more information, please contact: MFAH Communications 713.639.7554 His personal style, characterized by superior proportions, balance, symmetry and restraint, became the local style for at least two generations in New York. Throughout the first half of the 19th century he made neoclassical furniture for the social and mercantile elite of New York, Philadelphia and the American South.

  8. Virtual Cinema | French Film Festival | March 3–28

    Feb 16, 2021 - Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Your ticket ($10 per film / $80 for a 10-film pass) supports the MFAH and provides a 2-day window to view each film. In Perfumes, Emmanuelle Devos plays a temperamental “nose” for a perfumery who develops an unlikely friendship with her chauffeur. • French Film Festival / WATCH HERE March 3–28.

  9. Inspired by Oscar! See the winning looks from Fashion Fusion

    Jan 24, 2018 - The audience voted for a favorite garment, too!  The MFAH has once again teamed up with Houston Community College’s award-winning fashion program for the annual Fashion Fusion event! For the fourth annual Fashion Fusion, The Glamour and Romance of Oscar de la Renta inspired the students’ stunning gowns, which were organized into the same four categories as the exhibition.

  10. The Kodak Era: A Conversation with MFAH Curator Anne Tucker (part 1 of 3)

    Feb 17, 2012 - When Eastman Kodak Co. filed for bankruptcy in January, the news didn’t just mark a drastic point in a company’s history—it marked the end of an era. Most people went to a studio maybe once or twice in their lives before, for wedding pictures or some special occasion. "Kodak really didn’t have a rival until well into the 20th century. It opened up the ability to make pictures for millions and millions of people. The other thing about the snapshot is that it opened up having a family portrait to economic classes that never had it before.