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Francis Bacon: Body Language
Jan 28, 2020 - Photographic Memory Bacon preferred to work from photographs rather than live models, as he did for Female Nude Standing in a Doorway and Study for Portrait. Deakin brought an uncompromising eye to the studio sessions for Bacon, often regarding subjects with a penetrating and merciless gaze. The body has long served as an inspiration for art—from the perfected physiques of ancient Greek statuary to contemporary works that explore the human form in drawing, sculpture, paint, and live performances.
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Reimagining Rockwell
Nov 20, 2019 - The For Freedoms Series Cumulatively, Thomas and Shur produced 82 photographs for their For Freedoms series, 16 variations of which are included in the exhibition Norman Rockwell: American Freedom. Paired with the exhibition is “The Four Freedoms Reimagined,” featuring photographs from the “For Freedoms” project by Hank Willis Thomas and Emily Shur. The 21st-Century Generation Thomas, enlisting the help of photographer Emily Shur in collaboration with colleagues Wyatt Gallery and Eric Gottesman of the artist collective For Freedoms, decided to reimagine each of Rockwell’
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Rienzi Takes Center Stage
Mar 13, 2019 - From Houston to New York City Inspired by their love of Broadway music and theater, the Mastersons immersed themselves in New York City’s scene for nearly a decade. Behind the Scenes of the Mastersons’ Broadway Ventures Houstonians may recognize Carroll Sterling Masterson and Harris Masterson III—founders of Rienzi—for their commitment to the city’s prominent art and cultural institutions Although the production had only a 13-performance run, The Lady of the Camellias closed with Tony Award nominations for “Best Featured Actor in a Play,” “Best Costume Design,” and “Best Scenic Design.”
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Simone Leigh’s Monumental Bronze Sculpture “Satellite” Is Installed at the Nancy and Rich Kinder Building of the MFAH
Dec 4, 2023 - Leigh has been included in group exhibitions at the Whitney Museum of American Art, New York (2019); 10th Berlin Biennale for Contemporary Art, KW Institute for Contemporary Art, Berlin (2018); New Museum, New York (2017); MoMA The MFAH is also home to the Glassell School of Art, with its Core Residency Program and Junior and Studio schools; and the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century The Museum of Fine Arts, Houston, is the first U.S. museum to acquire and install for permanent display this now-iconic work by the influential American artist.
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Three Colors: White (Trois couleurs: Blanc)
A Polish immigrant hairdresser (Zbigniew Zamachowski) living in France opts to leave Paris for his native Warsaw when his wife (Julie Delpy) sues for divorce and then frames him for arson after setting her own salon ablaze. Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here.
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Pier Paolo Pasolini
With his gift for polemics and taste for scandal, he was routinely hauled up on blasphemy and obscenity charges and attacked by those on the left and the right.” For the eighth annual event in 2013, the MFAH joins a national U.S. tour to reconsider the singular vision of Pier Paolo Pasolini (1922–1975). A lapsed Catholic who never lost his religious worldview and a lifelong Marxist who was expelled from the Communist Party for being gay, Pasolini was an artist and thinker who tried not to resolve his contradictions but rather
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Virtual Cinema Spotlights Three New Dramas about Young Women
Jul 25, 2020 - SEE THE TRAILER Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Scroll down for streaming info. • House of Hummingbird Your purchase ($12) supports the MFAH & provides a 5-day pass to the film. Scroll down for streaming info. Fourteen Fourteen similarly explores what it’s like to be 14, but under entirely different circumstances.
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Separate Studies: Jack Whitten’s Untold Sculpture Practice
Apr 25, 2019 - Jack Whitten, a renowned painter recognized for his ingenuity and mesmerizing abstractions, also had a separate passion for sculpture. Installation view of Odyssey: Jack Whitten Sculpture, 1963–2017, featuring The Guardian I, For Mary. Rediscovered Treasures Throughout his career, Whitten kept these two bodies of work separate. “At that time, we would wrap them up and put them away in storage in someone’s barn and never look at them again for many, many years. It was kind of a revelation to find them again and re-see them.”
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Cracking the (Pre) Code
In 1990, the New York Film Critics Circle presented him with a special award “for consistent and imaginative quality programming of repertory films.” Actively involved in the marketing, he has written and produced trailers, served as art director for posters, and worked with partner Adrienne Halpern to edit subtitles. He also produces events for other TCM film festivals and cruises. In 1991, Goldstein wrote and co-produced the award-winning documentary The Nicholas Brothers: We Sing and We Dance.
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Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950
Major support for the exhibition is provided by the Ford Foundation; The Diane and Bruce Halle Foundation and the Andy Warhol Foundation for the Visual Arts. The exhibition is made possible in part by a major grant from the National Endowment for the Humanities: Exploring the human endeavor. This project is supported in part by an award from the National Endowment for the Arts. Additional generous support is provided by Ella Fontanals-Cisneros.