Nov 13, 2015 -
Visit mfah.org/cabaret for more information.
Bayou Bend Family Day: Festive Traditions
6003 Memorial Drive at Westcott Street
One Day Only: Sunday, December 20, 2015, from 1 to 5 p.m. Sometimes even our family members can feel like strangers in My Big Brother, Eyes, and Oscar®-nominated Me and my Moulton. Please visit mfah.org for a full list of activities, programs, exhibitions, and special events taking place during this holiday season. Visit mfah.org/bayoubend for holiday hours.
Visit by December 23, and get your photo taken with Santa for just $10. admissions/christmas-village-bayou-bend/tickets#tickets" rel="noopener">GET TICKETS
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Schedule
Open 5:30–9 pm on December 7, 10, 11, 17, 18, 29, 30
Open 5:30–10 pm on December 5, 6, 12, 13, 19, 20 members (ages 13+), $10 MFAH members (ages 5–12)
Free (ages 4 & younger)
A house-tour upgrade adds $5 to each admission (including to the free tickets for young children)
Premium Night Tickets | December 5, 6, 12, 13, 19, 20
Apr 17, 2023 -
Largely as a result of efforts by the teams of educators and planners that Campbell brought together, over 100,000 people visit Bayou Bend each year, more than double the annual attendance when she became director, in 2004. Over nearly 20 years, Campbell broadened public awareness of the MFAH American decorative arts house museum and its historic gardens, doubling attendance while enhancing its collection with significant acquisitions
HOUSTON—April “It is difficult to capture all that Bonnie has accomplished for the Museum in the nearly 20 years that she has devoted to one of the nation’s finest collections of American decorative arts,” noted Gary Tinterow, Director and
Plan Your Visit
Admission is free.
This screening takes place in Favrot Auditorium on the street level of the Glassell School of Art. Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (Directed by Robert Altman, 109 minutes, 1982)Members of the Disciples of James Dean—a McCarthy, Texas, James Dean fan club—arrange to meet 20 years later at their old gathering
Speakers
Christopher Holmes, bird curator at the San Diego Zoo, worked for the Houston Zoo for more than 20 years. Plan Your Visit This program takes place in Brown Auditorium Theater, with seating on a first-come, first-served basis. Admission is free. On Thursdays, the Museum is open from 11 a.m. to 9 p.m.
Co-curators Alison de Lima Greene of the MFAH and art historian Kate Nesin discuss artist Philip Guston and the first retrospective of his work in nearly 20 years. Related Events
Members PreviewsFriday & Saturday, October 21 & 22 INFO & TICKETS
Public LectureSaturday, October 22 INFO & TICKETS
Plan Your Visit The lecture takes place in Brown Auditorium Theater in the Law Building, and the
Plan Your Visit
The Hossein Afshar Galleries for Art of the Islamic Worlds are located on Level 1 of the Law Building. Tickets | SOLD OUT
$20 per person* | $17 for seniors (65+) | $15 for members
Free for youth ages 13 to 18
Free for students 19+ with valid student ID (available on-site only)*Museum admission is required in addition to the Sketching
Mar 27, 2018 -
“I have admired Anish Kapoor’s work for more than 20 years. Cloud Column has been sited on the plaza of the Glassell School of Art, which opens to the public on May 20. Plaza of the MFAH open to the public on Sunday, May 20, the first phase in the Museum’s campus-redevelopment project.
May 25, 2017 -
The government can take everything else, but each of us will decide if we will allow our soul to be stolen. From the 20 garments that made it to the runway (see the above video), a panel of judges selected winners in four categories—and the audience chose their favorite, too!
May 22, 2024 -
Her dedication to partnership promises to infuse innovation and inclusivity into every facet of our mission.”
From 2016 to 2024, Dr. In addition, she has contributed over the past 20 years to an extensive roster of publications on the subject of embedded artist practices, the subject of her 2018 dissertation thesis.
Dr. Handwerker has distinguished herself over 20 years in an impactful range of educational and curatorial roles; her collaborative approach and innovative vision are poised to elevate the Core Residency Program, enriching its artistic