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  1. The Characters of Kenwood: Mrs. Jordan

    Aug 3, 2012 - To see the fabulous renditions of these personalities up close, visit the exhibition—organized by the American Federation of Arts and English Heritage—while it is on view at the MFAH this summer. Edward Cecil Guinness paid £1,217 for this portrait in 1894, almost double the price of what most of Hoppner’s works were selling for at that time. In the play, Viola disguises herself as a man so she can be a page for the Duke of Orsino. Mrs.

  2. Lecture | Embroidery of Ahmedabad

    He also shows images of the pieces commissioned for Humayun’s Tomb World Heritage Site Museum as well as recent embroidered textiles.  Plan Your Visit This program is included with Museum admission.  Trained as an interior designer, he is the founder of CDS Art Foundation, the creative visionary behind Walking Hand-in-Hand, and the curator for experiential exhibits around the world. Asif Shaikh, one of India’s most accomplished embroidery and textile artists, presents different samples, textiles, tools, and materials used for embroidery by master artisans at his studio in Ahmedabad.

  3. Harun Farocki: Art/Work and the Invisible Hand

    Nov 30, 2012 - Established in 1982, the Core Residency Program at the Glassell School of Art offers postgraduate residencies for art critics and visual artists. Visit www.mfah.org/core for more information. Farocki (born 1944) is a filmmaker, critic, editor and curator who has lived and worked in Berlin for more than 40 years. Recent solo exhibitions have been mounted by the Museum of Modern Art, New York; Beirut Art Center, Lebanon; Kunsthaus Bregenz, Austria; and the Centre for Contemporary Arts, Glasgow, Scotland.

  4. Book Launch | “Gego: Weaving the Space in Between” with Mónica Amor and Mari Carmen Ramírez

    Join for a fruitful conversation filled with insights into Gego’s practice and influence, as well as the ways in which Gego’s art has been variously interpreted over the past few decades. Plan Your Visit  Admission is free. Following the talk with curator Mari Carmen Ramírez, signed copies of the book are available for purchase courtesy of the MFA Shop. For more than 25 years, Amor has maintained a deep engagement with work of Gego, a key figure in the development of 20th-century Latin American art.

  5. Artist Talk | Reverent Formations

    Plan Your Visit Admission is free. This event takes place in Favrot Auditorium at the Glassell School of Art. Seating is available on a first-come, first-served basis. Parking Information | Museum Hours | MFAH Campus Map

  6. Reception | “Ken Mazzu: Points of Interest”

    Plan Your Visit Admission is free. The reception takes place on the first floor of the Glassell Junior School of Art.

  7. Exhibition Talk | “The Peales in Print: Documenting America’s First Family of Art”

    Plan Your Visit Admission is free. The lecture takes place in Hirsch Library on the Lower Level of the Beck Building. Seating is available on a first-come, first-served basis. Questions?

  8. Korean Story Showcase

    Plan Your Visit This event takes place in the classroom on the lower level of the Law Building. 

  9. Dance Performance | “Weaves & Moves”

    Plan Your Visit This program is included with Museum admission. The performance takes place in Brown Auditorium Theater on the Lower Level of the Law Building. For centuries, India has inspired other Asian countries to weave fabrics and patterns imitating and reimagining materials and designs based on the original Indian prototypes. Parking Information | Museum Hours | MFAH Campus Map About the Program“Weaves & Moves” was conceived by dancer and choreographer Rathna Kumar, founder of Houston’s Anjali Center for Performing Arts.

  10. Core Program Lecture | Selby Nimrod

    Call 713.639.7500 for information. Plan Your Visit Core Program lectures are open to the public. Admission is free. This event takes place in Favrot Auditorium at the Glassell School of Art. Seating is available on a first-come, first-served basis. Nimrod is visiting faculty at MassArt for 2024–2025; has received a Étant donnés curatorial research fellowship from the French American Cultural Exchange; and has served as a guest critic in the sculpture departments at the Yale