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Every Dot Knows Where It Is: A Chat with Pipilotti Rist
Jun 26, 2017 - A machine is always only an extension of our body. For example, a camera is a bad, simple copy of our very complex eye system. Our brains are made up of low-voltage electrode signals—Pixel Forest looks like a simplified brain. In a way, all technology is a copy of nature. What was the process for putting these installations together?
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Three Questions for Christopher Rothko
Nov 4, 2015 - The exhibition Mark Rothko: A Retrospective brought to Houston—its only U.S. venue—a visit from a top Rothko scholar who also happens to be the artist’s son. Hear more from Christopher on Monday, November 16, when he returns to the Museum to discuss his father’s work with our director, Gary Tinterow, at Conversations with the Director.
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Let’s Make Monsters
Apr 14, 2020 - Follow along with Elizabeth Roath Garcia, our studio and gallery programs manager—and let’s make monsters! Download step-by-step instructions
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Once Upon a Time in the West (C’era una volta il West)
Special thanks to our cultural partner Italian Cultural Institute in Los Angeles, Professor Alessandro Carrera from the University of Houston, and Kate MacKay, UC Berkeley Art Museum & Pacific Film Archive.
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Art Crowd
Don’t miss out on this exciting opportunity to be part of our thriving young MFAH community.
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“Habsburg Splendor: Masterpieces from Vienna’s Imperial Collections” Opens at the MFAH in June
May 13, 2015 - And, I know our visitors will be captivated by the carriages, armor, liveried horses and pomp of the court costumes.” “We’re delighted to share our Museum’s unique wonders with our American friends,” added Dr. “We’re thrilled to be collaborating with our partner institutions in Minneapolis and Atlanta to bring to our audiences so many extraordinary masterpieces of European art,” said Gary Tinterow, director of the Museum of Fine Arts For more information, visit www.mfah.org About the Kunsthistorisches Museum Wien The Kunsthistorisches Museum Wien is one of the foremost museums in the world, with rich holdings comprising artworks from seven millennia, from
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William Forsythe Inspires Movement with “Choreographic Objects”
Jul 2, 2019 - Blurring the Lines One of the foremost choreographers of our time, Forsythe began his ongoing series of Choreographic Objects in 1991. The works in his renowned Choreographic Objects reveal the ways we consciously and unconsciously move through space and time, interact with one another, and respond to both the potential and the limits of our own bodies.
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With Peter Bradley
Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Ms. Laurence Unger; and ILEX Foundation. —Charles Burnett, filmmaker and MacArthur Fellow Tickets $9 general admission, $2 discount for MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Lynn Wyatt Theater in the Kinder Building
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The Wizard of Oz
Plan Your Visit Parking Information | Museum Hours | MFAH Campus Map Recommended parking is in the MFAH garage at 5101 Montrose Boulevard. Nearby street parking may also be available. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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The Stranger (L'Étranger)
—Catherine Camus Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Lynn Wyatt Theater in the Kinder Building. Underwriting for the Film Department is provided by Tenaris and American Friends of Fundacion Proa Inc., The Robert Frank Foundation, Nina and Michael Zilkha, Consulate General of the Republic of Korea in Houston, Laurence P.