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  1. Ima Hogg: “Like a Rock Star”

    Apr 19, 2016 - She encouraged me to use her as a reference when I applied for a job in HISD. Since one of your grandmother’s jobs was to cook, do you have any food-related memories? Many! Ima Hogg and Harris Masterson step out at Bayou Bend for the dedication-day ceremony on March 5, 1966. Did she interact with you as a child, and then as you grew up? Oh yes, she was always very kind.

  2. Lecture | “Alberto Giacometti: Pursuing Art through Four Decades”

    She has curated a revisionist retrospective (1988–89) and written essays for Giacometti publications in Edinburgh, London, Madrid, Paris, and Vienna. Plan Your VisitThis program takes place in Brown Auditorium Theater.

  3. Harry Bertoia: The Miracle of Sound

    Jun 18, 2019 - “The sound echoed in my mind for a very long time. Then it initiated a deliberate gesture in search of understanding what a group of wires would do—and the process is still going on.”

  4. Afro-Atlantic Art and Architecture from Slavery to the Present

    Related ExhibitionsThe conference coincides with Afro-Atlantic Histories at the MFAH and Kapwani Kiwanga: The Sand Recalls the Moon’s Shadow at Rice University’s Moody Center for the Arts.

  5. Visiting Musicians

    Jul 20, 2019 - The musicians come together for a performance that they enact separately, reflecting the ways in which we simultaneously experience the world individually and collectively.

  6. Conversation | Indian Textiles: Bridging Arts and Craft

    She is the director of education at the Textile Center in Minneapolis, contributes to the Textile Museum Journal, and leads the selection committee for the International Folk Art Market.

  7. Kinder Institute Forum | Ruth J. Simmons

    López Turley, director of the Kinder Institute for Urban Research.

  8. Striking Different Notes: Two Magnificent Still Lifes from the MFAH Collections

    Jul 21, 2019 - For all its opulence of color—rich reds, burnished browns—lavishness in details, and sumptuously shaped lutes, Bettera’s arrangement is sharp, with the lines of the instruments creating a configuration of diagonals.

  9. There is no archive in which nothing gets lost

    The Core Program at the Glassell School of Art receives generous funding from: The Joseph and Sylvia Slifka Foundation Andy Warhol Foundation The National Endowment for the Arts The following donors have underwritten

  10. A Conversation about Portraiture, Identity, and Community

    Support for the national tour has been generously provided by Bank of America. Generous support provided by:Susan and Fayez Sarofim H-E-BTony Chase and Dina al SowayelJoyce Z. GreenbergEllen S.