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First Major Exhibition Devoted to History of Manipulated Photography Before Digital Age Opens at the Museum of Fine Arts, Houston, June 2
Apr 30, 2013 - Through visually captivating photographs, Faking It significantly revises our understanding of photographic history. The installation explores the use of digital technology to alter images from the late 1980s to the present. All of the works on display in After Photoshop are from the MFAH permanent collection. While the widespread use of Adobe® Photoshop® software has brought about an increased awareness of the degree to which photographs can be doctored, photographers—including such major artists as Gustave Le Gray, Edward Steichen
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Museum of Fine Arts, Houston, presents The Brillembourg Capriles Collection of Latin American Art, on Public Display for the First Time
Jun 20, 2013 - The arts are our best tool for facilitating our mission." "The conservation and research effort, led first by Wynn Phelan and Andrea di Bagno, and more recently by paintings conservator Zahira Véliz Bomford, has produced new knowledge and insight into many of the artists’ use of innovative the "Partners in Art" program with the Fundación Gego in Caracas, the Cruz-Diez Foundation in Paris and The Brillembourg Capriles Collection of Latin American Art in Miami, all of which provide long-term loans to the MFAH for use
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Women’s History Month 2017: Celebrating #5WomenArtists—and More
Mar 1, 2017 - In March, celebrate along with us as we share: Facebook Live talks focusing on works of art that are on view in our galleries. Watch on our Facebook page A new Google Art Project exhibition highlighting work by women artists represented in the MFAH collections.
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Glassell-on-the-Go@Home
Jan 24, 2021 - Explore the work of artists in the MFAH collections, and learn how to use a variety of art tools, materials, and techniques. Register for free “Glassell-on-the-Go” courses. Learn more about the Glassell Junior School.
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Utopia/Dystopia: Construction and Destruction in Photography and Collage
Utopia/Dystopia explores the ways that artists use photography to project a political, social, or cultural state of utopia or dystopia.
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“Shadows on the Wall: Cameraless Photography from 1851 to Today”
Aug 12, 2014 - Overview Drawn from the permanent collection of the Museum of Fine Arts, Houston, Shadows on the Wall: Cameraless Photography from 1851 to Today presents 50 evocative images created with light and chemistry but without the use
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Virtual Cinema | Houston Jewish Film Festival | February 28–March 11
Feb 17, 2021 - Among the filmmakers featured in this documentary is William Wyler (The Best Years of Our Lives). Visit Houston Jewish Film Festival for more information. Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation.
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Object Lessons: Recent Discoveries from George Washington's Mount Vernon
Plan Your Visit Admission is free. The lecture takes place in the Kilroy Visitor and Education Center at Bayou Bend. To participate in a virtual viewing via Zoom, register here. Each revelation adds texture and specificity to our knowledge of the past. In this lecture, Adam T. Erby dives into four recent additions to Mount Vernon’s collections and the surprising stories each tells.
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A Summer Salute to Legendary Actor Alec Guinness
Jul 5, 2017 - Our tribute concludes with a 60th-anniversary revival of The Bridge on the River Kwai, which earned Guinness an Academy Award for Best Actor. Last year, our film series saluting Olivia de Havilland’s 100th birthday attracted large and enthusiastic audiences. De Havilland turned 101 on July 1, and her celebration is a hard act to follow! The British Film Institute is providing 35mm prints of four films in our series: Great Expectations and Oliver Twist, his first collaborations with Lean; The Ladykillers, which was remade by the Coen Brothers in 2011 (starring
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Artists in Dialogue | Featuring “Multiplicity” Artists Tomashi Jackson & Nyugen Smith
Plan Your Visit Admission is free. This event takes place in the Lynn Wyatt Theater, located in the Kinder Building. Seating is available on a first-come, first-served basis. In his practice he is interested in world-building through the lens of Blackness, informed by ritual, memory, language, history, and art-making processes that prioritize the use of previously used materials, the body, and play