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Writing with Fire
The final 10 films nominated in this category are announced February 8, and the Oscars ceremony is scheduled for March 27. Writing with Fire is among the 15 films (narrowed down from 138) shortlisted in the Documentary Feature category for the 2022 Academy Awards.
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Leandro Erlich: Seeing Is Not Believing
Seeing Is Not Believing serves as both a homecoming for him and a revelation for MFAH visitors. A Conversation with the Artist Leandro Erlich talks about Seeing Is Not Believing and other projects. Culinary Canvas Treat yourself
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Off-site Exhibition: MFA Contemporary @ Heights Mercantile
The MFAH and Heights Mercantile partnered to create MFA Contemporary @ Heights Mercantile, featuring a Museum-curated gallery space and free art-making activities for families. Spring 2018 In the video installation American Desert (for Chuck Jones), American artist Mungo Thomson uses Road Runner cartoons to offer a sly take on popular culture’s celebration of the American West as an enduring symbol
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Wim Wenders: Portraits Along the Road
See the trailer for the traveling series Portraits Along the Road.
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QFest: The Annual Houston International LGBTQ Film Festival
The Museum joins venues throughout Houston for QFest. The 23rd edition of the annual LGBTQ film festival offers a fresh, topical, and fascinating selection of films that have been popular on the international circuit.
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Virtual Cinema | New Restoration of Stellar Sci-Fi Drama “Ikarie XB 1” Comes to Houston
Apr 2, 2021 - Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Emotional Complexity & AuthenticityIt took two-and-a-half years for director Jindřich Polák—an experienced genre-film craftsman who trained with the best at Prague’s Barrandov Studios—and young screenwriter Pavel Juráček, a student is provided by Nina and Michael Zilkha; The Consulate General of the Republic of Korea; Franci Neely; Carrin Patman and Jim Derrick; Lois Chiles Foundation; ILEX Foundation; L’Alliance Française de Houston; and The Foundation for
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Virtual Cinema | Saluting Federico Fellini and His Masterpiece: “La Strada”
Nov 2, 2020 - The 1954 film won the first Academy Award for Best Foreign Language Film. Wyatt; ILEX Foundation; L’Alliance Française de Houston; and The Foundation for Independent Media Arts. SEE THE TRAILER Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation.
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Let’s Dance! Celebrate National Dance Day with Works of Art
Jul 23, 2018 - An integral part of religions and cultures for millennia, dance appears in visual arts from all over the world. Muhammad Baqir, Dancing Girl, 1778–79 Location: Law Building, 1st floor Dancing Girl was probably displayed in a private space within a royal palace, where she could join in with other painted and live dancers and musicians for Faliscan, White-Figure Bell Krater with Dancing Satyrs, 400–351 BC Location: Beck Building, 2nd floor Eight jovial satyrs—followers of Dionysus, the Greek god of wine—dance across this large vessel used for mixing water and
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Drawn in by Lines: Examining Old Master Works on Paper in the Horning Collection
Apr 7, 2017 - Art collectors Marjorie and Evan Horning gifted many fine works to the Museum of Fine Arts, Houston, over the years, as public access to Old Master and modern prints was a major consideration for them. They also set up a print fund in 1987, something Evan felt was important “since acquiring early prints and some relatively recent prints by major artists for both study and intermittent display is becoming more difficult.”* was a fascinating activity that “open[ed] up a whole new world of interest.”† Now with the online exhibition, their collection can reach beyond its home and the Museum’s walls onto screens anywhere—further extending the chance for
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Handling “Ron Mueck”: An Interview with Chief Preparator Dale Benson
Mar 24, 2017 - I’ve been in preparations for more than 25 years, and this exhibition is unique—simply because Ron Mueck’s sculptures are so lifelike. I’m constantly waiting for a chest to breathe or an eye to blink. The very large, monumental pieces are, for their size, extremely light. If they were made of solid wood or stone rather than fiberglass and silicon rubber, they would require special lifting equipment.