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  1. Operating on Art: Treating Walker Evans’s “Banda Headdress”

    Aug 1, 2014 - My most recent project is a gelatin silver photograph by American artist Walker Evans (1903–1975), who is best known for his images of the Great Depression. Banda Headdress arrived in the MFAH conservation lab with a tear in the top right corner that made it unsafe for the object to be handled or displayed. MoMA commissioned Evans to document each sculpture and produce 17 portfolios and a traveling exhibition for the purpose of teaching students about African art history.

  2. “Odyssey: Jack Whitten Sculpture, 1963–2017” Opens March 3 at the MFAH

    Feb 20, 2019 - The MFAH is also home to the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century Latin American and Latino art. mfah.org  Media Contact Katie Jernigan, publicist kjernigan Additional spaces include a repertory cinema, two libraries, public archives, and facilities for conservation and storage. His work is informed by growing up in the Jim Crow South, and by his experiences of historical and personal struggles for freedom.

  3. Helmut Newton: White Women • Sleepless Nights • Big Nudes

    Oct 5, 2010 - For additional information please contact: MFAH Communications 713-639-7554 Finally a free agent, he opened a photography studio in Melbourne and met his wife, June Browne, an actress who posed for him. The couple traveled Europe and Australia during the 1950s, when Newton shot for British and Australian Vogue, and settled in 1961 in Paris, where Newton joined French Vogue.

  4. Radical: Italian Design 1965–1985, The Dennis Freedman Collection

    Together, the gifts and acquisitions establish a foundational collection for the MFAH. Generous funding for this exhibition is provided by: John R. Eckel, Jr. Foundation The Omena Fund Kirksey Architecture Consulate General of Italy in Houston Kim and Al Eiber

  5. Ragnar Kjartansson: The Visitors

    Well known for his musical performances that experiment with time and repetition, Kjartansson (born 1976) uses durational performance to capture collective emotion. Generous funding for this exhibition is provided by: John R. Eckel, Jr. Foundation Luhring Augustine Nina and Michael Zilkha Bettie Cartwright Jereann and Holland Chaney

  6. Hidden Layers: Painting and Process in Europe, 1500–1800

    This exhibition celebrates the Museum’s new Sarah Campbell Blaffer Foundation Center for Conservation, opening later this year. Hidden Layers: Painting and Process in Europe, 1500–1800 highlights recent technical findings for European paintings in the Blaffer and MFAH collections.

  7. Sculpted in Steel: Art Deco Automobiles and Motorcycles, 1929–1940

    Today's automotive manufacturers strive for economy and efficiency, but there was a time when art and elegance reigned. The style reemerged across Europe after the war, and the 1920s to 1930s proved to be one of the most creative eras for international design in all mediums.

  8. Texas Clay: 19th-Century Pottery from the Bayou Bend Collection

    Generous funding for the exhibition and publication is provided by: Leslie and Brad Bucher            in memory of Michael K. Brown The early Texas pottery on display is drawn from the collection of Bayou Bend, the house museum for American decorative arts and paintings at the Museum of Fine Arts, Houston.

  9. Unrivalled Splendor: The Kimiko and John Powers Collection of Japanese Art

    Wilson Macy’s The Japan Foundation Education programs for this exhibition are made possible by: The E. Rhodes and Leona B. Carpenter Foundation. The last exceptional collection of Japanese art in private hands, the Powers Collection is renowned for its extraordinary scale and quality, and the exhibition provides a rare chance to see these remarkable examples in the Houston

  10. Drawings by Rembrandt, His Students, and Circle from the Maida and George Abrams Collection

    The show and its accompanying catalogue investigate the functions of drawings in Rembrandt’s studio and their value for him as a teacher. For Rembrandt, drawing documented the artist’s thinking, stimulating his imagination and conveying his skills as a keen observer of humanity and the world around him.