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  1. Passing Through

    Accessibility The MFAH strives to provide a welcoming and accessible experience for all guests by offering a range of accommodations—learn more here. The film follows a jazz musician (Nathaniel Taylor) just released from prison who searches for his musical mentor and refuses to participate in the exploitative music industry.

  2. Happening (L’événement)

    France, fears for her future upon discovering she is pregnant, at a time when abortion is illegal. Happening (L’événement) Directed by Audrey Diwan(France, 2021, digital, in French with English subtitles) FOR MATURE AUDIENCES “One of 2022’s Must-See Films” —IndieWire Anne (Anamaria Vartolomei), a bright college student in 1960s

  3. Midcentury Menu: Dining in the Atomic Age

    Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions that are included with general admission. During August, Rienzi is closed. They marketed a modern, aspirational lifestyle to women while promoting prepared foods and myriad new appliances celebrated for their convenience and efficiency.   

  4. The Weird and Wonderful World of Industrial Musicals

    Steve Young discovered corporate musicals while gathering obscure albums for the Letterman show’s "Dave’s Record Collection" comedy bit. Years later, Young is the world’s authority on the bizarrely entertaining shows created for company conventions and sales meetings from the ’50s to the ’80s that the public was never meant to see.

  5. A Force of Color: Painting-in-Action with GONZO247

    May 13, 2020 - How do you see art as a positive force for the community? For my entire life in Eastwood, the only public art was a mural by Leo Tanguma. I was never taken to museums or galleries. I connected with the use of lines because, for graffiti writers, a lot of what we do is sketch-based or letter-based. I used this inspiration, tied it to what I do, and translated to Plexiglas.

  6. Lifelong Learning at the Glassell School of Art

    Nov 18, 2019 - I chose to relocate in Houston, and I worked for Shell for 34 years as a refinery operator. When I retired, I wanted to do art and see if I was good at it. The Studio School, for adults, offers everything from short-term workshops to full-semester courses in art and art history.

  7. Lois Weber & Anna Pavlova, Pioneering Women of Film & Dance

    Mar 11, 2017 - Anna Pavlova poses for a publicity shot for the film. Weber took her role in the industry seriously, so when the challenge of directing The Dumb Girl of Portici presented itself, she accepted it with the determination and passion for which she was known.

  8. In the Beginning

    Nov 3, 2011 - My imagination jumped instead to moving images and the implication for cataloguing. The potential dawned on me about ten years ago when I discovered that academic researchers were testing blob recognition for, as one example, distinguishing urban scenes from seascapes. I could give a host of professional reasons for initiating the project –  that electronic versions, and not hardcopies, are the original records; that the historic record is at risk; that emerging solutions should be scalable

  9. Virtual Cinema | “Five” Short-Film Compilation Commemorates Women’s History Month

    Mar 12, 2021 - Her directorial debut, the feature film Acid Test, is scheduled for release soon. Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. is provided by Nina and Michael Zilkha; The Consulate General of the Republic of Korea; Franci Neely; Carrin Patman and Jim Derrick; Lois Chiles Foundation; ILEX Foundation; L’Alliance Française de Houston; and The Foundation for

  10. 2013 Core Exhibition

    Established within the Glassell School of Art in 1982, the Core Program is designed for highly motivated artists who have completed their undergraduate or graduate training and are working to develop a sustainable practice. In 1998, the program added critical-studies residencies as an opportunity for writers to pursue independent curatorial and writing projects and to broaden the scope of the critical dialogue that is central to the practices of The Core Program at the Glassell School of Art receives generous funding from: The Joseph and Sylvia Slifka Foundation Andy Warhol Foundation The National Endowment for the Arts The following donors have underwritten