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  1. Argentina, 1985

    Inspired by a true story, Argentina, 1985 follows public prosecutors Julio César Strassera and Luis Moreno Ocampo, along with their young legal team of unlikely heroes, in a David-vs-Goliath battle to prosecute Argentina’s bloodiest

  2. Our Tiny Little Wedding (Notre tout petit petit mariage)

    Happy couple Lou and Max badly want to adopt a baby. They’ve created a picture-perfect profile, including lying about their income, families, and living situation. Now all that’s left is to get married—in the simplest, …

  3. Curator of Food Trucks: Malcolm Daniel on Fine Art + Food Trucks

    Oct 26, 2017 - In short, without fail, there’s something I like at each of the trucks. You can check out the daily food-truck schedule by following the MFAH on Twitter. A visit to the MFAH that lasts long enough to take in the fall exhibitions—The Glamour and Romance of Oscar de la Renta, HOME—So Different, So Appealing, or the one I’ve organized, David Levinthal: Photographs 1972–2016—is going We all have our favorite dishes. I’m partial to the Taco Morocco (chicken, chickpeas, and Moroccan spices) and the Rooster Quesadilla that Julio and Ludo of Moon Rooster cook up on Thursdays.

  4. Virtual Cinema “Going beyond the Big Screen with MFAH Films”

    Sep 14, 2020 - a few topical documentaries, including Our Time Machine. Spotlight on Our Time Machine Our Time Machine follows Shanghai conceptual artist Maleonn as he stages a play for his father, who is in the early stages of Alzheimer’ We have two edgy French features: My Dog Stupid and Sybil; two female-centric dramas that premiered at the Cannes Film Festival: Ghost Tropic and Song without a Name, which has drawn comparisons to Academy Award–winner Roma; and Our film programming practice hasn’t changed since moving to Virtual Cinema.

  5. Summer Discovery Days at Bayou Bend

    Aug 2, 2020 - Summer Discovery Days Grab your smartphone or tablet and spread out across Bayou Bend’s 14 acres of gardens for Summer Discovery Days.

  6. Journey through the Egyptian Afterlife with Matthew Barney’s “River of Fundament”

    Sep 1, 2016 - The Egyptians, without the advantage of scientific images, made stories of both our bodies and spirits, separating the organs after death to be guarded by gods on what was understood as an actual journey into other realms. His newest film, River of Fundament, deals with mythic ways of understanding our bodily functions. Our bodies are earthly vessels that transform foodstuffs into both our life force and feces.

  7. Meet the Books | “Private Pages: Sketchbooks and the Artistic Process”

    Plan Your Visit Admission is free. The Hirsch Library is located on the lower level of the Beck Building. Parking Information | Museum Hours | MFAH Campus Map exhibition coordinator, discusses the broad range of artistic expression provided by the sketchbook: a space not only for honing skills and producing studies for future works, but also an area for working on concepts and ideas without

  8. New Year Reflections

    Dec 30, 2011 - Productivity is hampered by an abundance of data without management or declaration of official records.             4. Except for a brief and unsuccessful experiment with an ERM system, the unstructured data has expanded without any management or classification. There are also concerns posed by our regulatory obligations.

  9. Virtual Cinema | See Critically Acclaimed Films This Winter

    Dec 7, 2020 - Two critically celebrated dramas in our virtual theater may have additional honors to come. Song without a Name, a moving feature from a first-time female director, is Peru’s submission to the Oscars for Best International Film. As Karen Fang, a member of the Museum’s film subcommittee, says about Coded Bias, “a documentary critique of the destructive prejudices built into our technologies and social structures may not seem like an obvious movie choice

  10. Virtual Cinema Presents Two Compelling Dramas: “Ghost Tropic” and “Song without a Name”

    Sep 27, 2020 - SEE THE TRAILER   Song without a Name Georgina, an indigenous Andean woman in Peru, arrives at a free clinic to deliver her baby. Moments after childbirth, she discovers the baby has been taken. Shot in stark black and white, this debut film from Melina León is based on actual events researched by her father, Ismael León, cofounder of the Peruvian newspaper La República. • Song without a Name WATCH HERE Your purchase