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A Revolution on Canvas
Community partners: Society of Iranian-American Women for Education and the Iranian Cultural Foundation-Houston film follows efforts by the artist and his daughter to recover the missing paintings while also exploring their complicated family history. 2023 Hamptons International Film Festival: Winner, Brizzolar Family Foundation Award for
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Punch Party at Rienzi
This event is for ages 21+ Tickets $65 Adults $60 MFAH Members More Information About Rienzi Contact [email protected] with questions. Education programs at Rienzi receive generous funding from the Sterling-Turner Foundation; Alkek and Williams Foundation; Carroll Sterling and Harris Masterson III Endowment; and the Caroline Wiess Law Endowment for Rienzi.
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Perpetual Bloom: Botanicals in the 18th-Century Interior
Rienzi, the MFAH house museum for European decorative arts, presents special exhibitions twice a year. These new discoveries ignited a craze for landscape gardens both in and out of doors. Perpetual Bloom explores the ways in which botanicals were displayed and re-created in domestic interiors during the 1700s.
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Line: Making the Mark
With the advent of Modernism in the 20th century, line became its own definitive subject for artists, who no longer used it merely for representational purposes.
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Eye on Third Ward: Jack Yates High School Photography
MFAH staff members select the best photographs for display in an annual exhibition. Now in its 16th year, Eye on Third Ward continues to inspire museum visitors along with the participants. All education programs at the Museum of Fine Arts, Houston, receive endowment income from funds provided by Caroline Wiess Law; the National Endowment for the Humanities; the William Randolph Hearst Foundation; the Fondren Foundation
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The Story of Azaleas at Bayou Bend
Aug 29, 2016 - I did not plan for it to happen during Bayou Bend’s 50th-anniversary year, but isn’t it nice that it did! By planting the Asian azalea—the iconic Southern flower—throughout Bayou Bend’s gardens, she was creating a very Southern experience for her guests. Wanda Hanners and Bart Brechter in early 2016 I understand you have a wonderful announcement to make about your 15-year quest for the lost azaleas.
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Duncan Phyfe: Master Cabinetmaker in New York
Mar 21, 2012 - For more information, please contact: MFAH Communications 713.639.7554 His personal style, characterized by superior proportions, balance, symmetry and restraint, became the local style for at least two generations in New York. Throughout the first half of the 19th century he made neoclassical furniture for the social and mercantile elite of New York, Philadelphia and the American South.
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Unprecedented loans from the National Portrait Gallery, London, chronicle 500 years of the British monarchy at the MFAH in October
Jul 18, 2018 - The MFAH is also home to the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century Latin American and Latino art. mfah.org About the National Portrait Gallery, London The As a Microsoft, Oracle and SAP partner we provide the best solution for your company’s unique needs. Additional spaces include a repertory cinema, two libraries, public archives, and facilities for conservation and storage.
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Virtual Cinema | French Film Festival | March 3–28
Feb 16, 2021 - Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Your ticket ($10 per film / $80 for a 10-film pass) supports the MFAH and provides a 2-day window to view each film. In Perfumes, Emmanuelle Devos plays a temperamental “nose” for a perfumery who develops an unlikely friendship with her chauffeur. • French Film Festival / WATCH HERE March 3–28.
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Inspired by Oscar! See the winning looks from Fashion Fusion
Jan 24, 2018 - The audience voted for a favorite garment, too! The MFAH has once again teamed up with Houston Community College’s award-winning fashion program for the annual Fashion Fusion event! For the fourth annual Fashion Fusion, The Glamour and Romance of Oscar de la Renta inspired the students’ stunning gowns, which were organized into the same four categories as the exhibition.