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Man on a Mission
Oct 16, 2012 - BD: While a location consultant for the state, I worked with Rick Ferguson and Alfred Cervantes at the Houston Film Commission for many years. BD: Mike [Woolf, the director] and I had known Richard for a while and were following his story with interest. I wanted to make this film because I believe in Richard's vision of a bright future for humanity in space. Truly dedicated individuals are rare and uplifting.
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Virtual Cinema: “Losing Ground” and “Jazz on a Summer’s Day”
Aug 9, 2020 - SEE THE TRAILER Underwriting for the Film Department is provided by Tenaris and the Vaughn Foundation. Scroll down for streaming info. In honor of the film’s recent restoration, Losing Ground cinematographer Ronald K. Scroll down for streaming info. • Losing Ground WATCH HERE Your purchase ($4.99) supports the MFAH & provides a 3-day pass to the film.
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MFAH Films Brings India to the Big Screen
Apr 13, 2018 - Stay tuned for details! As I’ve worked on projects for MFAH Films—from the fall 2017 edition of the Houston Cinema Arts Festival to the upcoming Latin Wave 13—I’ve gained a new appreciation not only for film, but also for my own Indian culture. In my time as the Museum’s 2017–18 Camfield Fellow, my passion for art and film has grown enormously.
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“Impressionist and Post-Impressionist Masterpieces from the Pearlman Foundation” Opens May 21 at the MFAH
Mar 8, 2023 - Enchanted by the painting, Pearlman made a successful bid for the work—View of Céret (1921–22), on view in this exhibition—and that first purchase triggered a passion for collecting that endured for the rest of his life. The MFAH is also home to the Glassell School of Art, with its Core Residency Program and Junior and Studio schools; and the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century Pearlman met with him there in 1948, and sat for his portrait, which is presented here, as is Lipchitz’s 1952 portrait bust of the collector.
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The Fine Art of Staying Healthy
Mar 6, 2015 - Lower the heat, add the onion, rosemary, bay leaf, and artichoke hearts, and cook for 5 minutes. Stir in the wine and sugar. Bring to a boil and cook for 5 minutes. Lower the heat; cover and simmer for about 45 minutes. You’ll be ready for lunch after that! Learn more about the tour. with Recipe for Success are teaming up to encourage Houstonians to add more vegetables to their plates.
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Katherine S. Howe to retire, after 41 years at the Museum of Fine Arts, Houston
Jan 27, 2016 - a Gilded Age (1994); and Fit for a King: English Silver from the Collection of George S. Rienzi welcomes some 20,000 visitors each year for tours, family programs, lectures, concerts and a variety of special events. Howe was appointed director of the Dora Maar House in Ménerbes, France, to oversee the Museum’s fellowship program for artists and writers.
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Chile ’76 (1976)
Underwriting for the Film Department is provided by Tenaris, The June Leaf and Robert Frank Foundation, and the Vaughn Foundation. Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.
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Oscar-Nominated Short Films
Generous funding is provided by the Foundation for Independent Media Arts; Lois Chiles; Franci Neely; Carrin Patman and Jim Derrick; and ILEX Foundation. Underwriting for the Film Department is provided by Tenaris and American Friends of Fundacion Proa Inc., The June Leaf and Robert Frank Foundation, Nina and Michael Zilkha, Consulate General of the Republic of Korea in Houston
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Cutting out the Sky: Kenji Nakahashi—Selections from the Museum’s Collection
In 1973 Kenji Nakahashi gave up his brief career in design and left his native Japan for New York City, where he lived and worked until his death. Although best known for his photo-based Conceptual art, Nakahashi (1947–2017) moved fluidly between mediums, experimenting with painting, drawing, and printmaking, in addition to photography. Fascinated by the world around him, Nakahashi found creative inspiration in even the most mundane subjects—every new place he visited and each passing thought provided the spark for inventive, whimsical, humorous, or contemplative
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Sally Mann: A Thousand Crossings
Generous funding for this exhibition is provided by The Margaret Cooke Skidmore Exhibition Endowment. Generous support for this exhibition is provided by: Anne Levy Charitable Trust PHILLIPS For more than 40 years, Mann (born 1951) has made experimental, hauntingly beautiful photographs that address overarching themes of existence: memory, desire, death, and the bonds of family.