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  1. RRR

    Construction does not affect access to Lynn Wyatt Theater in the Kinder Building. Access to Films in Brown Auditorium TheaterWhile the entry from Main Street into the Law Building is under construction, park in the Beck Building garage (1144 Binz Street) and take the Wilson Tunnel to the theater. With a powerful message, staggeringly choreographed action sequences, and musical numbers, RRR brings sheer big-screen joy start to finish.

  2. Musiqa Mixer | “Golden Worlds”

    On Thursdays, the Museum is open from 11 a.m. to 9 p.m. with free general admission. General admission to the MFAH is free on Thursdays, courtesy of Shell Oil Company. Musiqa has a mission to enrich and inspire the community through programs that integrate contemporary music with other forms of modern art.

  3. Patron-Plus Members Early Viewing “Beauty and Ritual: Judaica from the Jewish Museum, New York”

    and Ritual: Judaica from the Jewish Museum, New York before it opens to the public on July 10. Call the members hotline at 713.639.7550, Monday–Saturday, 10 a.m. to 5 p.m. or email [email protected] at any time. Patron-Plus Members Early Viewing “Beauty and Ritual: Judaica from the Jewish Museum, New York” MFAH members at the Patron, Supporting, Sponsor, Benefactor, and Leadership Circle levels are invited to this early viewing of Beauty

  4. Family Art-Making Studio

    Using high-quality materials and tools provides the opportunity to better understand artists’ techniques. Recommended for families with children ages 5 to 12. to the Family Art-Making Studio ticket. Admission is free for MFAH members and ages 12 & younger. Get advance Museum tickets. --

    Tickets for September—November available soon

    --> Families are invited to join a teaching artist for an afternoon in the galleries and the studio.

  5. Flee

    Talking in his own voice to his neighbor, Danish filmmaker Jonas Poher Rasmussen, Amin reveals a painful secret kept hidden for 20 years, one that threatens to derail the life Amin has built for himself and his soon-to-be husband A risk of exposure to COVID-19 exists in any public setting. In the interest of your personal safety and community health, please observe all precautions set forth by the MFAH—learn more here.

  6. Conversations with Artists | César Augusto Martínez and Vincent Valdez

    /Mexico border, and his Bato con Sunglasses belongs to a series of portraits that elevate the common man to high art. On Thursdays, the Museum is open from 11 a.m. to 9 p.m. and general admission is free. Safety Guidelines Masks are required during programs in Museum auditoriums. Capacities are limited. A risk of exposure to COVID-19 exists in any public setting. In the interest of your personal safety and community health, please observe all precautions set forth by the MFAH—learn more here.

  7. Breathless (À bout de souffle)

    Visiting Guidelines Masks are required to be worn during films and programs inside Museum auditoriums. Capacities are limited, and advance tickets are recommended. A risk of exposure to COVID-19 exists in any public setting. Inspired by B movies and credited with introducing the jump-cut to cinema, the film is stylish and audacious, full of cinematic and literary references. Breathless (À bout de souffle)Directed by Jean-Luc Godard(France, 1960, Digital, in French with English subtitles)60th Anniversary 4K Restoration “French New Wave classic ‘Breathless’ to dazzle in 4K at MFAH . . . you’ll be amazed

  8. Good Times with Ernie Barnes and Alexis Pye

    Ernie Barnes’s iconic The Sugar Shack (1976) returns to the MFAH, on view in a special installation that also features Oh joy! Long time no see (2023) by Houston-based artist Alexis Pye. He revisited this memory in the painting The Sugar Shack, which became a nationally celebrated icon when it was added to the end credits of the Good Times television series. As a teenager, Barnes (1938–2009) snuck into the Durham Armory, a North Carolina “juke joint” offering refuge and release to citizens in the segregated South of the Jim Crow era.

  9. Intimate Settings and Public Spaces: Impressionist and Post-Impressionist Drawings and Prints

    The public spaces range from fashionable boulevards, avenues, and parks to café concerts, theaters, bars, and racetracks. This exhibition of some 60 works on paper looks at those spaces—both public and private—and the various artistic methods the artists used to captivate their modern world. Yet works on paper—using a diversity of media from chalk, graphite, pastel, and watercolor to etchings and lithographs—also demonstrate both groups' interest in capturing private and public spaces.

  10. Calaveras Mexicanas The Art and Influence of José Guadalupe Posada

    Aug 15, 2013 - Divided into three sections, the exhibition begins with an introduction to Posada, providing biographical information as well as contextualizing his prints and contributions to Mexican art and culture. To commemorate the 100th anniversary of the death of José Guadalupe Posada (1852–1913), considered "the father of Mexican printmaking," the Museum of Fine Arts, Houston (MFAH), presents a group of approximately 50 works of art After his death, Posada's calaveras became the imagery most associated with Día de los Muertos (Day of the Dead), a holiday celebrated in Mexico, and around the world, on November 1–2 to honor and celebrate departed loved ones