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Looking Together
Jul 25, 2014 - See our list of programs and services. A community has emerged in our Museum space that otherwise might not have. This accomplishment pushes our team forward as we think about the growth of “Looking Together.” “Looking Together” was launched six years ago at the request of one of our devoted participants and friends, Dr. Richard Taylor.
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Pride
On this day, MFAH Films honors our late colleague Andrew Edmonson—culture worker, activist, journalist, and cinephile—on what would have been his 60th birthday. Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building.
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Big Kid Flicks
Plan Your Visit Admission is free. Seating available on a first-come, first-served basis. These screenings take place in Brown Auditorium Theater on the lower level of the Law Building. These award-winning short films offer a chance to explore new frontiers from around the world, across the street, and the ever-expanding boundaries of our own perspectives. Big Kid Flicks is designed for ages 8 and up.
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Farewell My Concubine (Ba wang bie ji)
Spanning 50 years from the early 20th century to the Cultural Revolution, this genre-bending love story captures the vast historical scope of a changing country and features performances showcasing the remarkable tradition of
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Infinite Pause: Photography and Time
Nearly 50 images from the Museum’s collection are on view, highlighting artists as diverse as Harry Callahan, Harold Edgerton, Étienne-Jules Marey, Duane Michals, Eadweard Muybridge, Nicholas Nixon, Aaron Siskind, and Hiroshi
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“Line: Making the Mark”
Dec 2, 2014 - Selected from the permanent collection of the Museum of Fine Arts, Houston, this exhibition presents some 50 drawings and prints by artists including Josef Albers, Louise Bourgeois, Willem de Kooning, Jasper Johns, Sol LeWitt,
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“Shadows on the Wall: Cameraless Photography from 1851 to Today”
Aug 12, 2014 - Photography from 1851 to Today Dates August 31–November 30, 2014 Overview Drawn from the permanent collection of the Museum of Fine Arts, Houston, Shadows on the Wall: Cameraless Photography from 1851 to Today presents 50
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Museum of Fine Arts, Houston, Continues Collection Series with “Statements: African American Art from the Museum’s Collection”
Jan 20, 2016 - “In 1950 the Museum awarded John Biggers the purchase prize at our 25th Annual Houston Artists Exhibition for The Cradle, a monumental drawing that remains both the starting point and cornerstone of our African American collection Recent years have seen terrific new acquisitions of works by artists who have lived in our city; Dawolu Jabari Anderson, Trenton Doyle Hancock, and Mequitta Ahuja, to name only a few, have played a major role in giving our collection “The MFAH’s history of collecting African American art is closely tied to our immediate community,” Alison de Lima Greene added.
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Glassell Introduces New Program for Teens—Emerging Artists: Early College Program
Nov 7, 2024 - For application information, and the full course catalog, please visit mfah.org/ecp. “The Early College Program represents a vital extension of our mission to engage artists of all ages and backgrounds, offering young artists the chance to explore their creative potential within our dynamic community.
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Masterworks by Michelangelo and his contemporaries on view at the Museum of Fine Arts, Houston, in March 2018
Jan 31, 2018 - We are grateful to our colleagues at the Capodimonte Museum for their generosity in sharing their exceptional collection with us,” said Gary Tinterow, MFAH director. highlights include two of Michelangelo’s finest monumental drawings: Venus Kissed by Cupid (c. 1535) and Roman Soldiers (c. 1546), a large-scale preparatory drawing for the left section of The Crucifixion of Saint Peter (c. 1545–50 recent presentation in New York, and complement them with additional loans from the Capodimonte Museum alongside works from the Vatican, the Metropolitan Museum of Art, the University of Chicago Library, private collectors, and our