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Studio Johannesburg | William Kentridge in Conversation with Christopher Blay
The conversation focuses on Kentridge’s studio practice, and how the history of South Africa and the present-day realities of Johannesburg have shaped his life and work. September 10, 2023 | SOLD OUT On closing day of the exhibition William Kentridge: In Praise of Shadows, South African artist William Kentridge visits the MFAH to discuss his work with Houston-based artist and curator Christopher Among his recent projects are Ellsworth Ausby: Odyssey and El Franco Lee II: Mid-Career Survey at HMAAC, as well as installations of his own work at Barry Whistler Gallery in Dallas and at the Ion District’s artist residency in
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Artists in Dialogue | Alysia Nicole Harris & Charisse Pearlina Weston
April 6, 2023 The “Artists in Dialogue” series invites Black contemporary artists to engage in conversation about their work or other topics they would like to address. Houston native Charisse Pearlina Weston is a conceptual artist and writer whose work is grounded in a deep material investigation of symbolic and literal poetics and the autobiographical. She is the author of How Much We Must Have Looked Like Stars to Stars, and her work has appeared in publications including Best New Poets, the Dallas Morning News, Indiana Review, Nasher Magazine, and Solstice Literary Magazine
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Dancing with Degas
Nov 18, 2016 - Divya Rea That is one of the things that make Degas’s work so special. In ballet, the public gets to see only the finished project. So much work goes into those few minutes onstage that only the dancers see. I chatted with two of the students, Helena Oseguera and Divya Rea, about how it felt to be a dancer among Degas—and how his work is still meaningful today. Fig. 4, Edgar Degas, Dancer in Leotard, c. 1896 Do you have a favorite work in the exhibition? HO Yes, the painting with ballerinas waiting to go on stage and perform.
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Art Activity: Let’s Make a Drawing
Sep 24, 2020 - Alpuy’s early work evolved from the use of heavy impasto in still lifes and landscapes, to a more stylized body of paintings. His work is in the collections of the MFAH, Detroit Institute of Arts, and the Morgan Library & Museum in New York, among other institutions.
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See the City through the Eyes of Teens in “Eye on Houston”
Jul 5, 2020 - Each work by these local high school students provides a window into their daily lives, experiences, and personal stories. Experiences From more than 1,000 submissions, this year’s compilation of 100 photographs features work by freshman, sophomore, junior, and senior photographers.
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Women’s History Month 2017: Celebrating #5WomenArtists—and More
Mar 1, 2017 - Watch on our Facebook page A new Google Art Project exhibition highlighting work by women artists represented in the MFAH collections. Drop in for any Highlights or Art Bite Tour this month—they’re free with general admission, which is waived on Thursdays Blog posts that explore the work of women artists in-depth, with a new topic every week More facts and
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Tour | Artwork of the Month “Dorukha Shawl”
Art enthusiasts are invited to dive deep into a different work of art every month. In September, learn about Dorukha Shawl and discuss how the art moves you. This work is included in the exhibition From Persia to Paisley: Global Luxury and the Kashmir Shawl. Plan Your Visit This guided tour is included with Museum admission.
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2023 Core Exhibition
On the third floor, Valentin Diaconov has curated Contact Personalities, featuring the work of Karen Schiff and the Core artists. The 2023 Core Exhibition features work by the 2022–2023 artists-in-residence: Bryan Castro, Saúl Hernández-Vargas, Erin Holland, Yifan Jiang, Jagdeep Raina, and Fred Schmidt-Arenales.
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Joaquín Torres-García: Paintings in Houston Collections
Each work on view represents a different period of Torres-García’s production—ranging from an early landscape painted in France in 1928 to an oil on paper and canvas work made in 1945—giving viewers a broad overview of his career
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Hélio Oiticica: The Body of Color
Through its International Center for the Arts of the Americas (ICAA), the MFAH undertook a multi-year collaboration with Projeto Hélio Oiticica (Projeto HO), Rio de Janeiro, to document, conserve, and exhibit the work of Brazilian Because the artist was a meticulous record keeper and would not sell his work, Projeto HO possesses an astonishing amount—about 95 percent—of Oiticica’s lifetime production, as well as an unprecedented wealth of supporting material