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  1. Catwalk Stunners Now on View! See Fashion Fusion’s Winning Designs

    May 25, 2017 - I played with the idea of taking the image of the Malecón wherever a Cuban on exile would go, on a purse that would carry their dearest belongings and remembrances.” In order to elicit excitement and draw attention to Martínez’s positive ambition, I drew inspiration from details in his painting, such as the variety and delineation of colors and the flowers scattered throughout. —Maite Bradford Theme: Old Havana Winner: Luisa Nadarajah for “Past, Present, Future” Art Inspiration: Tania Bruguera, Estadística (Statistics), 1995–2000 “I took on the work’s powerful use of human hair and created

  2. Rienzi’s “Extravagant Objects” on View @ Google Arts & Culture

    May 27, 2020 - “I did a deep dive into the Rienzi archives, which include remarkable family scrapbooks, and I ran across many photos of her wearing it over the years. It must have been a much-loved set of jewels.” A Deep Dive “I would have to say the 18th-century emerald Parure she is wearing in a photograph from the late 1950s,” Flores said.

  3. Meet the Designer of the “Black Is Beautiful” Mural

    Sep 6, 2019 - I was inspired by the tremendous success of the “Naturally” hair and fashion shows. In 1970, I designed the “Black Is Beautiful” poster using Kwame Brathwaite’s photographs of the Grandassa Models to promote these shows. I was a member of the African Jazz Art Society & Studios (AJASS), a cultural organization of artists and photographers founded by Kwame Brathwaite and his brother, Elombe Brath.

  4. A Confessional Sculpture by Louise Bourgeois

    Mar 15, 2017 - The Story behind Quarantania I Bourgeois’s sculpture in the Museum’s Cullen Sculpture Garden, Quarantania I, draws from these experiences. Although she never specifically commented on the title, Quarantania I is a reference to the word “quarantine,” or a recovery from an illness with 40 days spent alone away from other people.

  5. “Shadow Monsters”

    Apr 1, 2015 - I enjoy working with simple, intuitive things; playful feelings that touch us on a very basic level. At the same time, I was experimenting with some software for vision recognition, so slowly the monsters evolved . . . the rest is history.” Describing how the project was conceived, Worthington has said, “Looking back to my own childhood, I remembered the feeling of casting huge shapes in the light of my father’s slide projector, creating monsters and silly animals

  6. Wangechi Mutu “The End of carrying All”

    “My videos provide a way for me to enact, represent, what I value about women through rehearsed movement, I guess,” Mutu has said. “I’m aware that when I’m making collages and my drawings I’m fabricating, I’m concocting.

  7. Shadow Monsters

    I enjoy working with simple, intuitive things; playful feelings that touch us on a very basic level.” Describing his idea for the Shadow Monsters project, Worthington (born 1977) said, “Looking back to my own childhood, I remembered the feeling of casting huge shapes in the light of my father’s slide projector, creating monsters

  8. “Eye-Catching” Houston: Capturing Our City through High Schoolers’ Lenses

    Jan 23, 2019 - I was asked by my photography teacher to take pictures representing what Houston means to me, and to me, Houston is the girl I love.”

  9. New Documentary “Film About a Father Who” Explores Intriguing Family Dynamics

    Mar 3, 2021 - I asked Lynne about the feedback she has gotten from audiences. I love Film About a Father Who because it demonstrates the director’s filmmaking skills as she unfolds decades of complicated family interactions, particularly with her father. I have had so many conversations with people who told me that their experience of watching my film gave them insight into their own thinking about the imprint of our parents on all of us as children.”

  10. Virtual Cinema | France’s Pick for Oscar Consideration: “Two of Us”

    Jan 26, 2021 - “I wanted Nina and Madeleine to be played by actresses who are comfortable with their age while exuding strength,” Meneghetti said. Regarding the film’s style, he added, “I wanted to shoot this love story as if it were a thriller: an eye looking through a peephole, an intruder in the night ... “I didn’t want audiences to perceive them as victims, but as heroines fighting for their love. The film tells the story of a struggle, the story of a passion that is as obstinate as it is affectionate.”