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“Multiplicity” In-Gallery Experience | Featuring Kaima Marie Akarue
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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“Multiplicity” In-Gallery Experience | Featuring Tay Butler
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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Artists in Dialogue | Featuring “Multiplicity” Artists Genevieve Gaignard & Lovie Olivia
Russell H. and Rosalind C. JacksonJay Jones and Terry Wayne JonesMerinda Watkins-Martin and Reginald MartinAnn and Alton McDowell
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Lecture | Stokely Carmichael: The Bridge from Civil Rights to Black Power
Russell H. and Rosalind C. JacksonWendy and Mavis Kelsey/Fan and Peter MorrisKaren and Ramon Manning Merinda Watkins-Martin and Reginald Martin
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Core Exhibition Workshop | Objects, Desire, and the Market
for the Core Program have been provided by Leslie and Brad Bucher; gifts in memory of Laura Lee Blanton; the estate of Margaret Gillingham; Rusty Burnett; the Eleanor and Frank Freed Foundation; Eliza Lovett Randall; Herbert C.
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Core Exhibition Lecture | Decoy Studies: An Introduction
for the Core Program have been provided by Leslie and Brad Bucher; gifts in memory of Laura Lee Blanton; the estate of Margaret Gillingham; Rusty Burnett; the Eleanor and Frank Freed Foundation; Eliza Lovett Randall; Herbert C.
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“Eye on Third Ward” Photographers Share Stories and Inspirations
Apr 30, 2012 - Photography teacher Ray C. Carrington III provides the guidance, Houston's Third Ward neighborhood provides the setting, and the talented teens do the rest.
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Calder-Picasso
C. Rower and Bernard Ruiz-Picasso.
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2013 Core Exhibition
Core Program receives endowment income from funds provided by: Leslie and Brad Bucher Eliza Lovett Randall The children of Eliza Lovett Randall in honor of their mother The Eleanor and Frank Freed Foundation Herbert C.
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Striking Different Notes: Two Magnificent Still Lifes from the MFAH Collections
Jul 21, 2019 - Cristoforo Munari Still Life with Musical Instruments (c. 1710–15) celebrates, and perhaps represents, an allegory of the five senses.