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M.C. Escher: Journey to Infinity
C. Escher from the Michael S. Sachs CollectionJourney to Infinity looks at the legacy of world-famous Dutch graphic artist M.C. Escher. C. Escher from the Michael S. Sachs Collection” is organized by the Museum of Fine Arts, Houston. Generous support provided by:Luther King Capital Management Vivian L.
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Lecture & Book Release | M.C. Escher
Coinciding with the catalogue release for Virtual Realities: The Art of M.C. Escher from the Michael S. Sachs Collection, curator Dena M. Woodall presents a lecture on the art of M.C. Escher. In addition, she discusses how …
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American Modern: Works from the Collection of Alice C. Simkins
Trained as an art historian and museum professional, Alice C. Simkins is a leading supporter of the arts in San Antonio and Houston. American Modern: Works from the Collection of Alice C. Simkins surveys the brilliant innovations American artists brought forward in the first decades of the 20th century.
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MFAH Statement: “The Marketplace at Pirna,” c. 1764, Bernardo Bellotto
May 6, 2022 - May 30, 2024 | MFAH Statement: The Marketplace at Pirna, c. 1764, Bernardo BellottoThe challenge to the Museum of Fine Arts, Houston, ownership of the painting The Marketplace at Pirna, c. 1764, by Bernardo Bellotto, has been May 6, 2022 | MFAH Statement: The Marketplace at Pirna, c. 1764, Bernardo BellottoOn May 2, 2022, the United States District Court for the Southern District of Texas, Houston Division, granted the Museum’s motion to dismiss the March 24, 2022 | MFAH Statement: The Marketplace at Pirna, c. 1764, Bernardo BellottoThe Museum presented to the United States District Court for the Southern District of Texas, Houston Division, a motion to dismiss the lawsuit
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“American Modern: Works from the Collection of Alice C. Simkins”
Mar 19, 2015 - Title American Modern: Works from the Collection of Alice C. Simkins Dates April 16–July 19, 2015 Overview American Modern: Works from the Collection of Alice C. Trained as an art historian and museum professional, Alice C. Simkins is a leading supporter of the arts in San Antonio and Houston. Following Houston, American Modern: Works from the Collection of Alice C. Simkins will travel to the McNay Art Museum, where it will be seen from September 30 to December 6, 2015.
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Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600–1900
Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600–1900 maps the practice of the calligrapher from the 17th to 19th century through examples of calligraphy as well as tools of the trade.
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Cai Guo-Qiang Commission for the Ting Tsung and Wei Fong Chao Arts of China Gallery
The Ting Tsung and Wei Fong Chao Arts of China Gallery showcases the Museum’s growing collection of Chinese art. Stunning examples of ancient and contemporary art, displayed side-by-side in an innovative juxtaposition, …
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Rarely Displayed 17th-Century Persian Garden Carpet from Glasgow’s Burrell Collection on View at the Museum of Fine Arts, Houston, in November
Oct 11, 2018 - The Wagner Garden Carpet, on tour in America for the first time, is presented alongside masterworks from the Hossein Afshar Collection in Garden Paradise: The Magnificent Safavid Carpet from the Burrell Collection, Glasgow …
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"Egyptomania" Reveals the West's Enduring Romance with Egypt and Its Dramatic Influence on Decorative Arts
Feb 16, 2012 - Jewelry will also be on view, including Scarab Necklace, c. 1870, and Winged Scarab Pin, c. 1875. An “Aegyptian” Chair, c. 1875, and a Thebes Stool, c. 1884, are fine instances of the Egyptian Revival in English furniture. A tall case clock by Pottier and Stymus, c. 1875, is an impressive example of the Egyptian Revival style in America.
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Dancing with Degas
Nov 18, 2016 - Fig. 3, Edgar Degas, Dancers, Pink and Green, c. 1890. Fig. 4, Edgar Degas, Dancer in Leotard, c. 1896 Do you have a favorite work in the exhibition? Edgar Degas, Group of Dancers (Red Skirts), c. 1895–1900, pastel, the Burrell Collection, Glasgow. © CSG CIC Glasgow Museums and Libraries Collections. Fig. 3. Edgar Degas, Dancer in Leotard, c. 1896, pastel on vellum finish paper, laid on cardboard, Musée d’Orsay, Paris. © RMN-Grand Palais (Musée d’Orsay) / Patrice Schmidt