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Freestyle (En roue libre)
She retreats to the back seat and then Paul (Benjamin Voisin) steals the car without knowing Louise is inside. Stuck with each other, Louise and Paul embark on a most unusual road trip.
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“Shadows on the Wall: Cameraless Photography from 1851 to Today”
Aug 12, 2014 - 30, 2014 Overview Drawn from the permanent collection of the Museum of Fine Arts, Houston, Shadows on the Wall: Cameraless Photography from 1851 to Today presents 50 evocative images created with light and chemistry but without
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Strike a Pose and Find Inspiration with #InstaTourMFAH
Apr 13, 2017 - Photo by @tmnewtn Photo by @ruthiechen Photo by @galaorwhatever Smartphones Rule Snapping pictures during their visit continues to be an important way visitors engage with art. In a survey, we learned that 96% of MFAH visitors had smartphones during their visit, and 78% of them used these devices to take photos while they were here. What Stops You in Your Tracks? Rather than focusing on art-history information or biographies of artists, our guide examines why these objects are so intriguing to photograph.
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The Hidden Secrets of Movable Books
Mar 5, 2021 - To learn more, visit the virtual edition of Making the Movable Book. A few paper flaps from the book are used as built-in mounts to support neighboring layers, and with proper creasing of the paper, some flaps stand happily without external intervention.
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“Mike + Doug Starn: Big Bambú” Engulfs the Mies van der Rohe Galleries of the Museum of Fine Arts, Houston, This Summer
May 23, 2018 - Please visit www.mfah.org for details before your visit. The sculpture is built from within without scaffolding, as aloft climbers add poles to achieve the 30-foot-high wave. “While it will fill our galleries at an exhilarating scale, visitors will find that it is also an intimate work of art, one that on every level engages audiences of all ages.”
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Slowing Down at the MFAH: Celebrate Slow Art Day!
Apr 5, 2018 - Think back to your last visit to an art museum. How did you tackle the space? Was your goal to hit every single gallery, or did you focus your visit by choosing to see just one or two exhibitions? Most people view a work of art for only 6 to 10 seconds—which is not surprising given our culture of distraction and constant visual stimuli. Slow Art Day is an opportunity to combat that fast rhythm we’ve come to associate with TV and swiping on our smartphones, allowing ourselves the time to make new discoveries.
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One on One with the Curator of Bayou Bend Gardens
Feb 16, 2015 - Visiting Bayou Bend Collection and Gardens If you haven't been to Bayou Bend lately, spring is the perfect time to visit. Without them, the gardens themselves lose interest and focus. Q) Bayou Bend was among the first public formal gardens in Texas to use organic gardening techniques.
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Core Exhibition Workshop | Objects, Desire, and the Market
Related Events March 7: Lecture | Decoy Studies: An Introduction April 9: Workshop | Hidden in Plain Sight: Similarity and Subterfuge Plan Your Visit Admission is free. La Brasca has contributed to exhibitions including Without Limits: Helen Frankenthaler, Abstraction, and the Language of Print at the Blanton Museum of Art; Groundswell: Women of Land Art at the Nasher Sculpture Center; and, with
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Core Exhibition Lecture | Decoy Studies: An Introduction
Related Events April 9: Workshop | Hidden in Plain Sight: Similarity and Subterfuge May 7: Workshop | Objects, Desire, and the Market Plan Your Visit Admission is free. La Brasca has contributed to exhibitions including Without Limits: Helen Frankenthaler, Abstraction, and the Language of Print at the Blanton Museum of Art; Groundswell: Women of Land Art at the Nasher Sculpture Center; and, with
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Memories of My Father (El olvido que seremos)
Driven by sadness and rage after cancer takes the life of one of his daughters, he devotes himself to social and political causes without regard to his personal safety.