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Brown Foundation, Inc. Plaza
Adjoining the Glassell School of Art and Cullen Sculpture Garden is a nearly one-acre public greenspace: The Brown Foundation, Inc. Plaza, designed by Deborah Nevins & Associates, in collaboration with Nevins & Benito …
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Bayou Bend Collection and Gardens
Bayou Bend is the MFAH house museum for American decorative arts and paintings. Displayed in the former home of Houston civic leader and philanthropist Ima Hogg (1882–1975), the collection is one of the finest showcases of …
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Celebrating Community: Women’s Empowerment Group Visits the MFAH
May 13, 2020 - Art plays an important role in trauma recovery, and the connection with the MFAH is a positive presence in the lives of our refugee community. What were some highlights of the visit? Refugee women can lack the confidence to visit public institutions alone, especially when they haven’t yet mastered English. We have over 40 refugee women in our group and most need help with transport, so our amazing volunteer team drove the women and their children to the Museum. Everyone was buzzing with excitement.
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Tour & Toast | "Buddha | Nature"
Tickets $24 per person $20 for MFAH members Plan Your Visit Tickets include admission to the MFAH Permanent Collections and all special exhibitions. No need to find a group on your own to book this tour. Join fellow art enthusiasts for a private group tour through the exhibition Buddha / Nature: Five Dialogues on Our Shared World. Explore and learn how Buddhist wisdom can inform our approach to climate crisis through the pairing of Buddhist sculpture with contemporary artworks.
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Camisea
Tickets $10 festival admission; $8 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Lynn Wyatt Theater in the Kinder Building. project manager, with post-film Q&A One of the most ambitious engineering projects ever undertaken in Latin America becomes the subject of Camisea, a film that contemplates how infrastructure changes reshaped Peru by extending natural Uno de los proyectos de ingeniería más ambiciosos emprendidos en Latinoamérica es el tema de Camisea, una película que reflexiona sobre cómo las transformaciones en la infraestructura redefinieron el Perú al extender el gas natural
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The Museum of Fine Arts, Houston, Presents "James Turrell: The Light Inside"
Feb 26, 2013 - He also began a series of works dependent on external and natural light sources, at times literally cutting through the walls and roof of his studio. Since the mid-1960s, Turrell has employed the medium of light, both artificial and natural, to create site-sensitive installations and monumental environmental projects. Now nearing completion, Roden Crater exists at a scale unmatched by any artwork of our time, as Turrell has carefully shaped its obdurate mass, creating a vessel for light that defines our place on earth and reaches to the sun
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Patron-Plus Members Preview | "Buddha | Nature"
Plan Your Visit The exhibition is located on the Lower Level of the Beck Building. The exhibition traces a path through Buddhist wisdom using both ancient sculpture and contemporary art to illuminate the ecological and ethical questions of our time. MFAH members at the Patron, Supporting, Sponsor, Benefactor, and Leadership Circle levels are invited to an exclusive preview of Buddha / Nature: Five Dialogues on Our Shared World before it opens to the public.
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2012 Core Exhibition
The essays explore topics from the alternative Houston art space the joanna to the soundscape work of Nigerian artist Emeka Ogboh.
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Beyond Visible: UV-Visible Fluorescence in Works of Art
Apr 11, 2017 - Looking for Clues Many natural materials produce fluorescence when exposed to radiation from UVA light. Currency and ID cards under UVA radiation Result: A New Tool Our workshop at the MFAH focused on using the new Target-UV tool to help conservation staff capture accurate records of UV-visible fluorescence.
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The Museum of Fine Arts, Houston, presents William Forsythe’s “Choreographic Objects,” opening in May 2019
Apr 4, 2019 - “William Forsythe has made vivid the ways in which we navigate the built and natural environments which surround us,” said Alison de Lima Greene, the Isabel Brown Wilson curator of modern and contemporary art at the MFAH. “The Choreographic Objects that make up our presentation are at once playful and profound, revealing that choreography is everywhere.” Internationally acclaimed as one of the foremost choreographers of our time, Forsythe first began his ongoing series of Choreographic Objects in 1991.