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“Learning Through Art” Educator Seminar | Think Tank
October 8, 2022 Think Tank: How to Foster Growth Mindset in Your ClassroomDesigned for Secondary Teachers Create a culture of thinkers in your secondary classroom by engaging in inquiry-based learning strategies that develop students Explore the MFAH collections of world art with activities that: Promote student thinking using specific, hands-on/minds-on techniques Connect visible thinking routines to Common Core standards Include easy-to-implement classroom
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Hidden Hands: Invisible Workers in Industrial England
These technologies and techniques allowed manufacturers to create wares to appeal to a broader and more diverse audience. The Industrial Revolution affected not only how objects were made but also the organization of labor in workshops and factories.
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Lecture | Zenga: A New History
Chambers and Andrea Okamura Professor of the History of Art and Architecture at Harvard University. This program and entry to the exhibition are included with general admission. On Sundays, the Museum is open 12:30 p.m. to 6 p.m. , this lecture offers an introduction to the exhibition.
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Artists in Dialogue “Afro-Atlantic Histories”
Plan Your VisitOn Thursdays, the Museum is open from 11 a.m. to 9 p.m. General admission, including entry to Afro-Atlantic Histories, is free. About the PresentersJoy Priest is a doctoral student at the University of Houston. For Afro-Atlantic Histories, she has written the poem “Redemption,” after Charles Burnett’s film Killer of Sheep. Safety Guidelines Masks are expected, as a risk of exposure to COVID-19 exists in any public setting.
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Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600–1900
This exhibition is organized by the Museum of Fine Arts, Houston, and Harvard University Art Museums. The calligrapher prepared the paper with a burnisher to seal the surface, and cut it with scissors before proceeding to write. After the paper was inked, finishing the process included ridding the paper of excess ink by sprinkling powder from a sand shaker and using a special tool to burnish the gold.
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Cultural Conversation at Rienzi | “The Philippines as a Vital Link in Transpacific Trade”
The lecture highlights how Indigenous and imported influences merged in the Philippines, creating enduring craft traditions and a vibrant artistic landscape.
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Rienzi & ROCO Celebrate Musician Margaret Bonds
Jan 18, 2021 - In addition to giving their home and remarkable art collection to the MFAH, the Mastersons donated their collections of music and books. Margaret Bonds Find out more about Rienzi’s music collection, the unique hi-fi installed at the house, and how the rare recording from the late 1960s was discovered.
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Public Dress
Jun 19, 2012 - The photographs by Will van Overbeek, Janice Rubin and Carl Clark explore how people groom themselves for a special occasion. Media Contact MFAH Communications: 713.639.7554 The photographs of Ishimoto Yasuhiro and Zig Jackson emphasize a decisive moment for both the photographer and the subject, whether in making a picture or selecting what to wear. On View June 20–October 8, 2012 Overview Many 20th-century photographers have relied on clothing to help craft a social narrative, and this selection of photographs from the MFAH collection presents a sampling of themes that
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“Stay the Course”: An Interview with Artist Joyce J. Scott
Jan 16, 2019 - How do the materials you use connect your jewelry to narrative? JS: I come from a long line of storytellers. In storytelling, the body is important because you’re a performer. How do you navigate jewelry as a political medium, considering its history as decoration and excess? JS: All of my jewelry is meant to be worn. I imagine someone with temerity and chutzpah. If someone sees my work, they can see that those cultures have a lot to offer, and that I have a lot to offer. Activism is primary and primal. Some say your work challenges the concept of jewelry as a wearable decoration.
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Concert | “Meiji Modern: Fifty Years of New Japan”
With innovative collaborations and educational programming, Musiqa strives to make modern repertoire accessible and vital to audiences of all ages and musical backgrounds. Carpenter Foundation and The Mary Griggs Burke Center for Japanese Art, Columbia University. Learning and Interpretation programs receive generous funding from the Institute of Museum and Library Services; Samuel H. “Meiji Modern: Fifty Years of New Japan” is organized by the Japanese Art Society of America (JASA), with funds provided by JASA members, to celebrate its 50th Anniversary, in collaboration with the Museum of Fine Arts, Houston