On Friday, September 25, the Museum closes at 6 pm and the Law Building is closed all day. 
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  1. Virtual Cinema | Norway’s Pick for Oscar Consideration: “Hope”

    Apr 4, 2021 - Cracks in their relationship were already showing before Anja’s visit to a hospital, but the news of her diagnosis truly puts the couple’s love to the test. Generous funding is provided by Nina and Michael Zilkha; The Consulate General of the Republic of Korea; Franci Neely; Carrin Patman and Jim Derrick; Lois Chiles Foundation; ILEX Foundation; L’Alliance Française de Houston; and

  2. Frida: The Girl Just Doesn't Go Away

    Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in Brown Auditorium Theater in the Law Building. Underwriting for the Film Department is provided by Tenaris and American Friends of Fundacion Proa Inc., The Robert Frank Foundation, Nina and Michael Zilkha, Consulate General of the Republic of Korea in Houston, Laurence P.

  3. Crazy Rich Asians

    Admission SOLD OUT $20 $15 for MFAH members, students with ID, seniors (65+), and members of MFAH Film Buffs Plan Your Visit Entry to the space begins at 7 p.m., and the film starts at 8 p.m. Generous funding is provided by The Consulate General of the Republic of Korea; Foundation for Independent Media Arts; Nina and Michael Zilkha; Lois Chiles; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  4. Friends of Asian Art

    Visit mfah.org/jointoday for information about MFAH membership levels and benefits. In recent years, the Museum has dedicated new space in the Caroline Wiess Law Building through the opening of several permanent galleries: the Arts of Korea Gallery (2007), the Glassell Collection of Indonesian Gold (2008), the

  5. The Museum of Fine Arts, Houston, Completes First Phase of Campus Redevelopment Project with Inauguration of the Glassell School of Art on May 20

    May 15, 2018 - The drama and beauty of the design, matched to an exceptionally functional and durable building made specifically for art-making practices, will challenge the imaginations of our faculty and our students.” The new building brings our mission as the teaching wing of the MFAH to an entirely new level. “Our building for the Glassell School is a key part of the overall strategy to shape the public spaces for the entire campus,” commented Steven Holl.

  6. Romancing the West: Alfred Jacob Miller in the Bank of America Collection

    This exhibition is organized by the Nelson-Atkins Museum of Art and is made possible by the Bank of America Art in Our Communities program. Generous funding is provided by: The Brown Foundation, Inc.

  7. I Went to the Dance (J’ai été au bal)

    Generous funding is provided by The Consulate General of the Republic of Korea; Nina and Michael Zilkha; Lois Chiles; Foundation for Independent Media Arts; Franci Neely; Carrin Patman and Jim Derrick; Ms.

  8. Afro-Atlantic Histories: Spotlight on Brazil

    The MFAH film department is supported by Tenaris; the Vaughn Foundation; Nina and Michael Zilkha; The Consulate General of the Republic of Korea; Consulate General of Italy in Houston; Franci Neely; Italian Cultural Institute

  9. The Latest in a Series of Summer Art Immersions at the Museum of Fine Arts, Houston: “Pipilotti Rist: Pixel Forest and Worry Will Vanish”

    May 9, 2017 - As viewers, we are taken on a truly fantastic voyage that unites the near and far, the physical nature of our own bodies and our relation to the world around us.”    “Pixel Forest and Worry Will Vanish complement the Museum’s growing commitment to light-based and immersive art, joining recent examples by James Turrell, Jesús Rafael Soto, and Yayoi Kusama in our collection.”

  10. Comprehensive Survey of Works by Sculptor Ron Mueck Opens at the Museum of Fine Arts, Houston, in February 2017

    Jan 19, 2017 - “At first glance, his work seems to be part of our every-day experience. With extraordinary attention to detail—down to each wrinkle, pore, vein, and strand of hair—Mueck portrays key stages in our lives, from the first moment of consciousness right through to death. Assembled from public and private collections around the world, the exhibition focuses on Mueck’s treatment of the stages of life, and addresses our collective fascination with the nature of physical existence and the ambiguity