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  1. MFAH Visitors Center

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  2. Cullen Sculpture Garden

    “I had a revelation of the earth outdoors as a new way of conceiving sculpture,” Noguchi once wrote, and he described his gardens as “sculpture for sculpture.” His plan for the Cullen Sculpture Garden was a modern approach to the traditional idea of a garden—framed by concrete walls ranging in height, the works of sculpture are complemented by native trees, bamboo, and flowering crepe

  3. PNC Roof Garden

    Museum District as well as the nearby Texas Medical Center and downtown Houston Enhance your visit! Grab your smartphone and earbuds to hear Songs for Art, a Spotify playlist specially created for you to enjoy as you explore the campus spaces. • Parking The closest Museum parking is the underground garage at 5101 Montrose Boulevard Other features include: Amphitheater seating at the base of the slope, for pop-up programming and everyday use On the roof terrace: planted grasses, seating, and a glass-and-steel skylight  360-degree views of the surrounding

  4. Robert Frank and Todd Webb: Across America, 1955

    For information, see Group Visits and Tours. Group reservations not available for opening and closing weeks. Both men, after all, engaged in projects that challenged the idealistic purity of the “American road trip.” Robert Frank and Todd Webb: Across America, 1955 brings together both 1955 projects for the first time.

  5. In-Gallery Extras for “Colors of the Oasis”: Getting Our Hands Dirty So You Don’t Have To!

    Mar 16, 2017 - Our goal for the film, and for the other interpretative elements you’ll find throughout the exhibition, is to illuminate some of the complex knowledge and skills required to create ikat textiles. Try out these in-gallery extras when you visit “Colors of the Oasis: Central Asian Ikats,” on view in the Beck Building through June 4. Yarn is tied in preparation for ikat dying.

  6. Calder-Picasso

    • Tickets include general admissionDue to limitations of space in this popular exhibition, masks are required for the safety of our guests and staff. Though their lives and work shared many parallels, the two men were not close, known to have met on only four occasions. Alexander Calder and Pablo Picasso—two of the foremost figures in 20th-century art—come together for a fascinating encounter in this presentation.

  7. Buddha | Nature: Five Dialogues on Our Shared World

    Plan Your Visit This exhibition is located on the Lower Level of the Beck Building. Buddha / Nature: Five Dialogues on Our Shared World traces a path through Buddhist wisdom using both ancient sculpture and contemporary art to illuminate the ecological and ethical questions of our time. Five remarkable works from the Xuzhou Collection, on long-term loan to the Museum since 2021, anchor the exhibition and appear for the first time in a fully contemporary setting at the MFAH.  

  8. The Wages of Fear (Le salaire de la peur)

    Yves Montand stars as one of four men hired to transport a nitroglycerine shipment over a treacherous South American mountain route. Tickets $9 general admission; $7 MFAH members, students with ID, seniors (65+) Plan Your Visit This screening takes place in the Brown Auditorium Theater in the Law Building. Underwriting for the Film Department is provided by Tenaris and American Friends of Fundacion Proa Inc., The June Leaf and Robert Frank Foundation, and the Vaughn Foundation.

  9. Virtual Cinema | “Coded Bias” Examines Inherent Biases in Artificial Intelligence

    Nov 17, 2020 - “You think all black men look alike?” A Fake Account Was Using a Real Man’s Image | CNN | October 15, 2020One of the suspended accounts belonged to a user named Gary Ray. Come for the consciousness-raising, but stay for the Joy (Buolamwini). Facial recognition software (FRS)—a technology that increasingly permeates our lives, from smartphone access to international travel—is a prime example. Because FRS is so pervasive, it can have terrible consequences.

  10. A Royally Inspired Q&A with Tilda Swinton

    Oct 23, 2018 - The whole phenomenon of the public posed image was central to our definition of the changing stages of the life of this nobleman turned noblewoman, from the 16th to the 20th century. Shakespeare said “All the world’s a stage, and all the men and women merely players.” As a player yourself, how do you view the demanding role of monarch? Must a successful monarch be an actor, first? I think, in many ways, there cannot be a more different path for a monarch than that of an actor, where it is essential that the individual interprets and makes real, in their own image, some narrative set down outside of their