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  1. Philip Guston Now

    Available free of charge, online and in the galleries. Disponible en español.

  2. Virtual Realities: The Art of M.C. Escher from the Michael S. Sachs Collection

    Available free of charge, online and in the galleries. Disponible en español. To listen in the galleries, please bring your mobile device and headphones.

  3. Architecture Lecture | History of the Mall

    Yet today, amid the aftershocks of financial crises and a global pandemic, as well as the rise of online retail, the dystopian husk of an abandoned shopping center has become one of the era’s defining images.

  4. William Forsythe Inspires Movement with “Choreographic Objects”

    Jul 2, 2019 - Blurring the Lines One of the foremost choreographers of our time, Forsythe began his ongoing series of Choreographic Objects in 1991. The works in his renowned Choreographic Objects reveal the ways we consciously and unconsciously move through space and time, interact with one another, and respond to both the potential and the limits of our own bodies.

  5. Virtual Cinema | See Critically Acclaimed Films This Winter

    Dec 7, 2020 - Two critically celebrated dramas in our virtual theater may have additional honors to come. As Karen Fang, a member of the Museum’s film subcommittee, says about Coded Bias, “a documentary critique of the destructive prejudices built into our technologies and social structures may not seem like an obvious movie choice

  6. “Shooting the Moon: Photographs from the Museum’s Collection 50 Years after Apollo 11”

    Jun 6, 2019 - Related Programming For additional details and admission information visit mfah.org/calendar Our Youngest Artists | “Inspired by Milestones” Friday, July 19, 10:30 to 11:15 a.m. & 11:30 a.m. to 12:15 p.m. The event concludes with a visit to the galleries to see the work of art that inspired the day’s program. $8 per child, $6 per child for MFAH members. Adults can attend for free with general admission.

  7. “Anicka Yi: Karmic Debt” Opens at the Museum of Fine Arts, Houston in June, the Latest in the Museum’s Long-Running Summer Immersive Series

    May 21, 2025 - “We will be creating our own.”  “Anicka Yi shows us that it is possible to use AI systems to express our most human concerns, as she invites viewers to consider our place in ever-evolving cycles of creation and change,” noted Gary Tinterow, director and Margaret Their fossil record offers insight into prehistoric climates—what poet Alexis Pauline Gumbs calls the “preconditions for our breathing.” 

  8. Three Questions for Christopher Rothko

    Nov 4, 2015 - The exhibition Mark Rothko: A Retrospective brought to Houston—its only U.S. venue—a visit from a top Rothko scholar who also happens to be the artist’s son. Hear more from Christopher on Monday, November 16, when he returns to the Museum to discuss his father’s work with our director, Gary Tinterow, at Conversations with the Director.

  9. On View This Fall at the Nancy and Rich Kinder Building: Simone Leigh’s Iconic “Satellite,” Newly Completed for the MFAH; New Modern and Contemporary Exhibitions

    Aug 9, 2023 - With just over one million visits to our campuses this past fiscal year, our community appears to agree. The installation of Satellite, and this next series of installations in the Kinder Building, will highlight for our public the strength of our modern and contemporary holdings, the fastest-growing segment of our collection.” Sarofim campus during the pandemic but for allowing us to showcase for our public, for the first time, the incredible depth of our modern and contemporary collections.

  10. The Kodak Snapshot: A Conversation with MFAH Curator Anne Tucker (part 2 of 3)

    Apr 3, 2012 - Stay tuned for part three of our conversation with Anne Tucker as she gives us a behind-the-scenes look at the exhibition Snail Mail, on view through May 20. In part two of our conversation, Tucker explains how the Kodak snapshot changed the way artists and historians viewed the world around them: "Aesthetically, artists and photographers very quickly found a charm in the fact "When I first came into photography, the first time I saw work by Robert Frank, who is a major artist in our collection, I was stunned to see he had photographed a man I knew in my childhood: an elderly black man positioned by