Search Results
Showing results for 35i텔레RADARDBll실시간DB판매◎I
-
The Artist and the Book | Adriana Corral and Janaye Brown in Conversation with Alison Hearst
The film, I SAW THE MARKS THEY MADE AND THE WIND WAS BLOWING, makes its premiere as part of their talk. Plan Your Visit Admission is free.
-
The Artist & the Book | Rahim Fortune in Conversation with Nicole Fleetwood
His work, including the award-winning book I can’t stand to see you cry, has been featured in global exhibitions and major collections, including the Museum of Fine Arts, Boston, and the High Museum of Art in Atlanta.
-
Louvre Couture at the Museum of Fine Arts, Houston
Clock with Givenchy’s 1990–91 Pantsuit; the elaborate 18th-century folding screen Biombo with Views of Mexico City with a 1990 ensemble by Karl Lagerfeld for Chanel; and Louise Nevelson’s 1969 sculptural abstraction Mirror Image I
-
Kehinde Wiley: An Archaeology of Silence
In his words: “That is the archaeology I am unearthing: The specter of police violence and state control over the bodies of young Black and Brown people all over the world.”
-
Henry Ossawa Tanner: Modern Spirit
The story continues with Tanner's unique contributions in aid of servicemen during World War I through the Red Cross in France; his Modernist invigoration of religious painting deeply rooted in his own faith; and his depictions
-
Museum of Fine Arts, Houston, Announces the Jeanie Kilroy Wilson Endowment for the Curator of American Painting and Sculpture
Dec 14, 2017 - In announcing the appointment, Tinterow commented, “I am deeply grateful to Jeanie Kilroy Wilson, life trustee of the MFAH, for her substantial gift to the endowment campaign to secure this position in perpetuity.
-
“Philip Guston Now,” First Retrospective in Nearly 20 Years of Influential Artist’s Work, Arrives at the Museum of Fine Arts, Houston, in October
Jul 28, 2022 - While living and teaching in the Midwest, Guston continued his consideration of the toll of World War II with If This Be Not I (1945, Mildred Lane Kemper Art Museum, Washington University, St. Louis). But he took center stage in many of his paintings of the 1970s, including Painting, Smoking, Eating (1973, Stedelijk Museum, Amsterdam), as he contemplated his life, asking himself time and again, “What kind of man am I?” (1954, Collection of Marguerite and Robert Hoffman) and Passage (1957–58, the Museum of Fine Arts, Houston). • By the mid-1960s Guston had begun to allow imagery to reemerge in his paintings, visible in canvases such as Head I
-
“Kehinde Wiley: An Archaeology of Silence” Tours to the MFAH in November
Sep 7, 2023 - Wiley has said, “That is the archaeology I am unearthing: The specter of police violence and state control over the bodies of young Black and Brown people all over the world.” been primarily concerned with verticality and elevation, projecting Black youth into positions of power and grace by painting them into compositions inspired by canonical Western portraits such as Anthony van Dyck’s Charles I
-
Virtual Cinema | 2021 Oscar-Nominated Short Films: Animation, Documentary & Live Action “Overview”
Mar 27, 2021 - The USA has three films in the running: Burrow; If Anything Happens I Love You; and Opera, which is a USA/South Korea coproduction. France’s Genius Loci and Iceland’s Yes-People round out the list.
-
Virtual Cinema “The New Bauhaus”
Sep 16, 2020 - One of the surprise discoveries when I joined the MFAH was our rich collection of photographs by László Moholy-Nagy (1895–1946).